From Wikipedia, the free encyclopedia
Painting by J. M. W. Turner
A Beech Wood with Gypsies Seated in the Distance
A Beech Wood with Gypsies Seated in the Distance is a painting by J. M. W. Turner (23 April 1775 - 19 December 1851), painted c. 1799–1801.[1]
|
|---|
| Paintings |
- Interior of a Romanesque Church (c. 1795–1800)
- Landscape with Windmill and Rainbow (c. 1795–1800)
- Diana and Callisto (c. 1796)
- Fishermen at Sea (1796)
- Interior of a Gothic Church (c. 1797)
- Limekiln at Coalbrookdale (c. 1797)
- Moonlight, a Study at Millbank (1797)
- Aeneas and the Sibyl, Lake Avernus (c. 1798)
- Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower (1798)
- Caernarvon Castle (c. 1798)
- Morning amongst the Coniston Fells, Cumberland (1798)
- Shipping by a Breakwater (1798)
- Tivoli and the Roman Campagna (c. 1798)
- View of a Town (c. 1798)
- Dolbadarn Castle (1798–1799)
- Self-Portrait (c. 1799)
- View in Wales: Mountain Scene with Village and Castle – Evening (c. 1799–1800)
- Welsh Mountain Landscape (c. 1799–1800)
- A Beech Wood with Gypsies round a Campfire (c. 1800)
- A Beech Wood with Gypsies Seated in the Distance (c. 1800)
- Landscape with Lake and Fallen Tree (c. 1800)
- Calais Pier (1803)
- View on Clapham Common (c. 1800–1805)
- The Shipwreck (1805)
- Two Captured Danish Ships Entering Portsmouth Harbour (1807)
- View of Richmond Hill and Bridge (1808)
- The Garreteer's Petition (1809)
- London from Greenwich Park (1809)
- The Fifth Plague of Egypt (1810)
- High Street, Oxford (1810)
- Saltash with the Water Ferry (1811)
- Snow Storm: Hannibal and his Army Crossing the Alps (1812)
- Frosty Morning (1813)
- Dido building Carthage, or, The Rise of the Carthaginian Empire (1815)
- The Decline of the Carthaginian Empire (1817)
- Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed (1818)
- The Field of Waterloo (1818)
- England: Richmond Hill, on the Prince Regent's Birthday (1819)
- Rome, from the Vatican (1820)
- The Battle of Trafalgar (1822)
- The Bay of Baiae (1823)
- Cologne, the Arrival of a Packet Boat in the Evening (1826)
- Forum Romanum (1826)
- Mortlake Terrace (1826)
- Port Ruysdael (1826)
- Chichester Canal (1828)
- East Cowes Castle (1828)
- Regulus (1828)
- Ulysses Deriding Polyphemus (1829)
- Funeral of Sir Thomas Lawrence (1830)
- Childe Harold's Pilgrimage - Italy (1832)
- The Prince of Orange Landing at Torbay (1832)
- The Fountain of Indolence (1834)
- The Golden Bough (1834)
- Venice: The Dogana and San Giorgio Maggiore (1834)
- The Burning of the Houses of Lords and Commons, 16th October, 1834 (1835)
- Rome, From Mount Aventine (1835)
- Venice, from the Porch of Madonna della Salute (c. 1835)
- The Fighting Temeraire Tugged to Her Last Berth to Be Broken up (1838)
- Modern Rome – Campo Vaccino (1839)
- Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On) (1840)
- Venice, the Bridge of Sighs (1840)
- Snow Storm: Steam-Boat off a Harbour's Mouth (1842)
- The Blue Rigi (1842)
- The Red Rigi (1842)
- Peace – Burial at Sea (1842)
- War. The Exile and the Rock Limpet (1842)
- Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis (1843)
- Rain, Steam and Speed – The Great Western Railway (1844)
- Sunrise with Sea Monsters (1845)
- Norham Castle, Sunrise (c. 1845)
- Whalers (c. 1845)
- The Beacon Light (unknown)
|
|---|
| Prints | |
|---|
| Museums | |
|---|
| Related | |
|---|
|
_-_A_Beech_Wood_with_Gypsies_Seated_in_the_Distance_-_PD.24-1981_-_Fitzwilliam_Museum.jpg)
