Portal:Heraldry

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Welcome to the Heraldry and Vexillology Portal!

Heraldry encompasses all of the duties of a herald, including the science and art of designing, displaying, describing and recording coats of arms and badges, as well as the formal ceremonies and laws that regulate the use and inheritance of arms. The origins of heraldry lie in the medieval need to distinguish participants in battles or jousts, whose faces were hidden by steel helmets.

Vexillology (from the Latin vexillum, a flag or banner) is the scholarly study of flags, including the creation and development of a body of knowledge about flags of all types, their forms and functions, and of scientific theories and principles based on that knowledge. Flags were originally used to assist military coordination on the battlefield, and have evolved into a general tool for signalling and identification, particularly identification of countries.

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The Canadian Heraldic Authority (French: Autorité héraldique du Canada) is part of the Canadian honours system under the Governor General of Canada. The Authority is responsible for the creation and granting of new coats of arms (armorial bearings), flags and badges for Canadian citizens, permanent residents and corporate bodies. The Authority also registers existing armorial bearings granted by other recognized heraldic authorities, approves military badges, flags and other insignia of the Canadian Forces, and provides information on heraldic practices.

The CHA is the Canadian counterpart of the College of Arms in London and the Court of the Lord Lyon in Scotland and is well-known for its innovative designs, many incorporating First Nations symbolism. (more...)

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Elias Ashmole was an antiquarian, collector, politician and officer of arms. He supported the royalist side during the English Civil War, and at the restoration of Charles II he was rewarded with several lucrative offices, including Windsor Herald of Arms in Ordinary. Throughout his life he was an avid collector of curiosities and other artifacts. Many of these he acquired from the traveller, botanist, and collector John Tradescant the elder and his son of the same name, and most he donated to Oxford University to create the Ashmolean Museum. He also donated his library and priceless manuscript collection to Oxford. Apart from his collecting activities, Ashmole illustrates the passing of the pre-scientific world view in the seventeenth century: while he immersed himself in alchemical, magical and astrological studies and was consulted on astrological questions by Charles II and his court, these studies were essentially backward-looking. Although he was one of the founding members of the Royal Society, a key institution in the development of experimental science, he never participated actively. (more...)

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Flag of Lithuania (adopted 1989, modified 2004)

The flag of Lithuania is a horizontal tricolor of yellow, green and red. The flag was adopted on March 20, 1989 on the advent of breaking away from the Soviet Union. Before its readoption, this flag was used from 1918 until 1940, when Lithuania was occupied in turn by Nazi Germany and by the Soviet Union. From 1945 until 1989, the Soviet Lithuanian flag consisted first of a generic red flag with the name of the republic, then changed to the more familiar red flag with white and green bars at the bottom. The last change to the flag occurred in 2004 when the aspect ratio changed from 1:2 to 3:5. (more...)

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The coat of arms of Austria was modified after World War II to include a broken chain signifying liberation from Nazism. It uses a single-headed eagle rather than the double-headed eagle of the former Austro-Hungarian Empire.

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Did you know...

...that during World War II the records of the College of Arms were stored in Thornbury Castle (pictured), home of Sir Algar Howard, Norroy and Ulster King of Arms?

...that the designer of the Coat of arms of New South Wales, William Gullick, was also responsible for heraldic influences in postage stamp design?

...that merchant's marks, the precursors of hallmarks, printers' marks and modern-day trademarks, served in place of heraldic imagery, which could not be used by middle class traders and artisans?