Theme (narrative)

In contemporary literary studies, a theme is a central topic, subject, or message within a narrative.^[1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject".^[2] Themes are often distinguished from premises.

The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single word (for example, love, death, betrayal). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia; and the dangers of unchecked ambition.^[3] A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in John Steinbeck's Of Mice and Men, wherein many of the characters seem to be lonely. It may differ from the thesis—the text's or author's implied worldview.^[4]^{[example needed]}

A story may have several themes. Themes often explore historically common or cross-culturally recognizable ideas, such as ethical questions, and are usually implied rather than stated explicitly.^[5] An example of this would be whether one should live a seemingly better life, at the price of giving up parts of one's humanity, which is a theme in Aldous Huxley's Brave New World. Along with plot, character, setting, and style, theme is considered one of the components of fiction.^[6]

Techniques

Various techniques may be used to express literary themes.

Leitwortstil

Leitwortstil, which means "leading word style" in German,^[7] is the repetition of a wording, often with a theme, in a narrative to make sure it catches the reader's attention.^[8] An example of a leitwortstil is the recurring phrase, "So it goes", in Kurt Vonnegut's novel Slaughterhouse-Five. Its seeming message is that the world is deterministic: that things only could have happened in one way, and that the future already is predetermined. But given the anti-war tone of the story, the message perhaps is on the contrary, that things could have been different. Its use in Scheherazade's Arabian Nights demonstrates how the technique can result to the unification of the constituent members of story cycles.^[7] In the Bible, various forms of the verb "to see" also recur and underscore the idea of Abraham as a seer.^[9] There is also the repeated use of the root kbd in Samuel I, to indicate "weightiness, honor, glory".^[10]

In New Testament studies, a leitwortstil is called a verbal thread. David Rhoads, Joanna Dewey, and Donald Michie identify several verbal threads in their seminal narrative-critical study of the Gospel of Mark.^[11] For example, Mark ties together two disparate narratives with a verbal thread that forces the reader to search for connections between the narratives. The word for ripping or tearing (Greek: σχίζω, schizō) is found at the baptism of Jesus in Mark 1:10 and at the rending of the temple veil in Mark 15:38.^{[original research?]}

Thematic patterning

Thematic patterning means the insertion of a recurring motif in a narrative.^[12] For example, various scenes in John Steinbeck's Of Mice and Men are about loneliness.^[13] Thematic patterning is evident in One Thousand and One Nights,^[14] an example being the story of "The City of Brass". According to David Pinault, the overarching theme of that tale, in which a group of travelers roam the desert in search of ancient brass artifacts, is that "riches and pomp tempt one away from God".^[15] The narrative is interrupted several times by stories within the story. These include a tale recorded in an inscription found in the palace of Kush ibh Shaddad; a story told by a prisoner about Solomon; and an episode involving Queen Tadmur's corpse. According to Pinault, "each of these minor narratives introduces a character who confesses that he once proudly enjoyed worldly prosperity: subsequently, we learn, the given character has been brought low by God ... These minor tales ultimately reinforce the theme of the major narrative".^[15]

Examples

Some common themes in literature are "love," "war," "revenge," "betrayal,"^[16] "patriotism," "grace," "isolation," "motherhood," "forgiveness," "wartime loss,"^[17] "treachery," "rich versus poor," "appearance versus reality," and "help from other-worldly powers."^[18]

Notes

^ Oxford English Dictionary, retrieved January 26, 2012
^ Griffith, Kelley (2010), Writing Essays about Literature (8 ed.), Cengage Learning, p. 40, ISBN 978-1428290419, retrieved February 10, 2013
^ Kirszner, Laura G.; Mandell, Stephen R. (1994), Fiction: Reading, Reacting, Writing, Paulinas, pp. 3–4, ISBN 015501014X, retrieved February 11, 2013
^ Weitz, Morris (2002), "Literature Without Philosophy: "Antony and Cleopatra"", Shakespeare Survey, vol. 28, Cambridge University Press, p. 30, ISBN 0521523656, retrieved February 10, 2013
^ Kerr, John (2022-07-06). "The 3 Essential Elements of Plot Every Writer Should Know". Writer's Hive Media. Retrieved 2022-07-06.
^ Obstfeld (2002, pp. 1, 65, 115, 171)
^ ^a ^b Sweney, Chip; Murray, Kitti (2011). A New Kind of Big: How Churches of Any Size Can Partner to Transform Communities. Grand Rapids: Baker Books. p. 82. ISBN 9780801013690.
^ Pinault, David (1992), Story Telling Techniques in the "Arabian Nights", Studies in Arabic Literature, vol. 15, Brill, p. 18, ISBN 9004095306, retrieved February 10, 2013
^ Levenson, Alan T. (2011). The Making of the Modern Jewish Bible: How Scholars in Germany, Israel, and America Transformed an Ancient Text. Lanham, MD: Rowman & Littlefield Publishers, Inc. p. 85. ISBN 9781442205161.
^ Ryken, Leland; III, Tremper Longman (2010). The Complete Literary Guide to the Bible. Grand Rapids: Zondervan Academic. p. 171. ISBN 978-0310230786.
^ David Rhoads, Joanna Dewey, and Donald Michie, Mark as Story: An Introduction to the Narrative of a Gospel, 3rd ed. (Minneapolis, MN: Fortress Press, 2012), 48.
^ Pinault, David. 1992. Story-telling techniques in the Arabian nights. Leiden: Brill. p. 22. ISBN 9004095306
^ Scalia, Joseph E.; Shamblin, Lena T. & Research and Education Association (2001), John Steinbeck's Of mice and men, Piscataway, N.J: Research & Education Association, p. 13, ISBN 087891997X, retrieved February 11, 2013
^ Heath, Peter (May 1994), "Reviewed work(s) Story-Telling Techniques in the Arabian Nights by David Pinault", International Journal of Middle East Studies, 26 (2), Cambridge University Press: 358–360 [359–60], doi:10.1017/s0020743800060633, S2CID 162223060
^ ^a ^b Pinault, David. 1992. Story-telling techniques in the Arabian nights. Leiden: Brill. p. 23. ISBN 9004095306
^ Baldick (2004)
^ Carey & Snodgrass (1999)
^ Brown & Rosenberg (1998)

References

Baldick, Chris (2004), The Concise Oxford Dictionary of Literary Terms, Oxford: Oxford University Press, ISBN 978-0-19-860883-7
Brown, Mary Ellen; Rosenberg, Bruce A., eds. (1998), Encyclopedia of Folklore and Literature, Santa Barbara: ABC-CLIO, ISBN 1-57607-003-4
Carey, Gary; Snodgrass, Mary Ellen (1999), A Multicultural Dictionary of Literary Terms, Jefferson: McFarland & Company, ISBN 0-7864-0552-X
Obstfeld, Raymond (2002), Fiction First Aid: Instant Remedies for Novels, Stories and Scripts, Cincinnati, OH: Writer's Digest Books, ISBN 1-58297-117-X

External links

"The Literary Theme Ontology". Retrieved 2023-04-05.

[1] Oxford English Dictionary, retrieved January 26, 2012

[2] Griffith, Kelley (2010), Writing Essays about Literature (8 ed.), Cengage Learning, p. 40, ISBN 978-1428290419, retrieved February 10, 2013

[3] Kirszner, Laura G.; Mandell, Stephen R. (1994), Fiction: Reading, Reacting, Writing, Paulinas, pp. 3–4, ISBN 015501014X, retrieved February 11, 2013

[4] Weitz, Morris (2002), "Literature Without Philosophy: "Antony and Cleopatra"", Shakespeare Survey, vol. 28, Cambridge University Press, p. 30, ISBN 0521523656, retrieved February 10, 2013

[5] Kerr, John (2022-07-06). "The 3 Essential Elements of Plot Every Writer Should Know". Writer's Hive Media. Retrieved 2022-07-06.

[6] Obstfeld (2002, pp. 1, 65, 115, 171)

[:0-7] Sweney, Chip; Murray, Kitti (2011). A New Kind of Big: How Churches of Any Size Can Partner to Transform Communities. Grand Rapids: Baker Books. p. 82. ISBN 9780801013690.

[8] Pinault, David (1992), Story Telling Techniques in the "Arabian Nights", Studies in Arabic Literature, vol. 15, Brill, p. 18, ISBN 9004095306, retrieved February 10, 2013

[9] Levenson, Alan T. (2011). The Making of the Modern Jewish Bible: How Scholars in Germany, Israel, and America Transformed an Ancient Text. Lanham, MD: Rowman & Littlefield Publishers, Inc. p. 85. ISBN 9781442205161.

[10] Ryken, Leland; III, Tremper Longman (2010). The Complete Literary Guide to the Bible. Grand Rapids: Zondervan Academic. p. 171. ISBN 978-0310230786.

[11] David Rhoads, Joanna Dewey, and Donald Michie, Mark as Story: An Introduction to the Narrative of a Gospel, 3rd ed. (Minneapolis, MN: Fortress Press, 2012), 48.

[12] Pinault, David. 1992. Story-telling techniques in the Arabian nights. Leiden: Brill. p. 22. ISBN 9004095306

[13] Scalia, Joseph E.; Shamblin, Lena T. & Research and Education Association (2001), John Steinbeck's Of mice and men, Piscataway, N.J: Research & Education Association, p. 13, ISBN 087891997X, retrieved February 11, 2013

[Heath-14] Heath, Peter (May 1994), "Reviewed work(s) Story-Telling Techniques in the Arabian Nights by David Pinault", International Journal of Middle East Studies, 26 (2), Cambridge University Press: 358–360 [359–60], doi:10.1017/s0020743800060633, S2CID 162223060

[Pinault_23-15] Pinault, David. 1992. Story-telling techniques in the Arabian nights. Leiden: Brill. p. 23. ISBN 9004095306

[16] Baldick (2004)

[17] Carey & Snodgrass (1999)

[18] Brown & Rosenberg (1998)

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

[17]

[18]

v t e Narrative
Character	Antagonist Archenemy Character arc Character flaw Characterization Confidant Deuteragonist False protagonist Focal character Foil Gothic double Hamartia Hero Anti Byronic Tragic Narrator Protagonist Stock character Straight man Supporting character Title character Tritagonist Villain
Plot	Ab ovo Action Backstory Origin story Chekhov's gun Cliché Cliffhanger Conflict Deus ex machina Dialogue Dramatic structure Eucatastrophe Foreshadowing Flashback Flashforward Frame story In medias res Kishōtenketsu MacGuffin Pace Plot device Plot twist Poetic justice Red herring Reveal Self-insertion Shaggy dog story Stereotype Story arc Story within a story Subplot Suspense Trope
Setting	Alternate history Backstory Crossover Dreamworld Dystopia Fictional location city country universe parallel Utopia Worldbuilding
Theme	Irony Leitmotif Metaphor Moral Moral development Motif Deal with the Devil Conflict between good and evil Self-fulfilling prophecy Time travel
Style	Allegory Bathos Comic relief Diction Figure of speech Imagery Mode Mood Narration Narrative techniques Hook Show, don't tell Stylistic device Suspension of disbelief Symbolism Tone
Structure	Act Act structure Three-act structure Freytag's Pyramid Exposition/Protasis Rising action/Epitasis Climax/Peripeteia Falling action/Catastasis Denouement/Catastrophe Linear narrative Nonlinear narrative films television series Premise Types of fiction with multiple endings
Form	Drama Fabliau Flash fiction Folklore Fable Fairy tale Legend Myth Tall tale Gamebook Narrative art Narrative poetry Epic poetry Novel Novella Parable Short story Vignette
Genre (List)	Fiction Action fiction Adventure Comic Crime Docu Epistolary Ergodic Erotic Historical Western Mystery Nautical Paranoid Philosophical Picaresque Political Pop culture Psychological Religious Rogue Romance Chivalric Prose Saga Satire Speculative fiction Fantasy Gothic Southern Horror Magic realism Science Hard Utopian and dystopian Underwater Superhero Theological Thriller Urban Nonfiction Autobiography Biography Novel Creative
Narration	Diegesis First-person Second-person Third-person Third-person omniscient narrative Subjectivity Unreliable narrator Multiple narrators Stream of consciousness Stream of unconsciousness
Tense	Past Present Future
Related	Dominant narrative Fiction writing Continuity Canon Reboot Retcon Parallel novel Prequel / Sequel Genre List Literary science Literary theory Narrative identity Narrative paradigm Narrative therapy Narratology Metafiction Political narrative Rhetoric Glossary Screenwriting Series of works Storytelling Tellability Verisimilitude

Authority control databases
International	FAST
National	United States France BnF data Latvia Israel