National Archaeological Museum of Paestum
The National Archaeological Museum of Paestum (Museo Archeologico Nazionale di Paestum) is a museum in Capaccio-Paestum (Salerno, southern Italy) that houses archaeological finds from excavations of the ancient Greek city of Poseidonia/Paistom, then Paestum. The museum is one of the major "on-site" museums in Italy..[1] The different sections that compose it allow the visitor to retrace the history of the Greek, Lucanian and Roman city.
The museum contains numerous finds from the sacred city, from the Heraion at Foce del Sele and from the nearby necropolis (Gaudo necropolis, Santa Venera[2] necropolis).[3] Since 2015, following the Prime Ministerial Decree 171/2014, the museum became a state museum with special autonomy.[4] In 2017, the Paestum excavations and museum were the fifteenth most visited Italian state site, with 441,037 visitors.[5]
The collection
[edit]The museum holds a diverse collection of artifacts from the sanctuary sites of Paestum. Among them are inscriptions that provide evidence of cults associated with healing. Votive terracotta figurines are also on display, depicting various deities, including Athena and a seated goddess believed to be Hera. The votive offerings, including figurines and potsherds, preserved in the museum provide decisive evidence, through the iconography of the goddess, for tracking the origins of the cult of Hera of Poseidonia within the Achaean tradition of Southern Italy, which in turn had its roots in the cult of Hera practiced in more ancient times by the Achaean populations of the Eastern Plain of Argolis.[6]
The museum also houses painted vases, such as a locally produced lekythos depicting a scene from the Adonia festival, which commemorated the death of Adonis. During its early days, Paestum imported pottery from Attica. However, by the 4th century BC, the city had its own thriving pottery workshops. The museum showcases numerous exquisite examples of red-figured Paestan ware, primarily from burial sites.[7][8] These artifacts are exhibited in a gallery that offers a view of the surrounding farmland, stretching towards the Campanian mountains. The farmland is still enclosed by ancient defensive walls, adding to the historical ambiance of the museum's setting.[9]
The National Archaeological Museum of Paestum also preserves about five hundred painted slabs and fragments of slabs, mainly from tombs of the Lucan period (5th – 3rd century BC), recovered from necropolises during the first decades of the 20th century.[10] The restoration/maintenance of many slabs of the Lucanian funerary art has been a unique opportunity to carry out a multi-disciplinary and multi-analytical study of these pre-Roman wall paintings.[11]
The storage of the Archaeological Park of Paestum hosts several thousands of illegally excavated artefacts, mostly grave goods from the rich necropolises outside the ancient walls.[12] These artefacts are also useful for investigating stolen archaeological finds.[13]
The Museum is also autism friendly: thanks to the Autism Friendly path, everyone will have the opportunity to have a truly unique experience of its kind.[14]
The exhibition
[edit]The exhibition unfolds over three floors divided into seven sections:
- The prehistoric section
- The origin of Paestum
- The Heraion at Foce del Sele
- Urban sanctuaries
- The necropolis of Poseidonia-Paestum[15]
- The Lucanian painted tombs
- The Roman room
Among the exhibits the following stand out:
- The archaic metopes[16] of the Heraion del Sele
- The tomb of the diver (La tomba del tuffatore)
- The stelae in Oscan language
- The chamber tomb of Spinazzo[17]
Research
[edit]A wider research line is aimed at deepening the understanding of cultural interactions and technological influences between Greek colonies and Italic pre-Roman societies. The museum has provided the fragments analyzed in some studies.[18] The direction of the Museum promoted research activities on scientific methodologies for the study of archaeological finds in collaboration with the Associazione Italiana di Archeometria.[19]
Instruments preserved at the Museum, like aulos, are reconstructed in 3D model[20]
The Museum has hosted a survey using conjoint choice approach questions to elicit people’s preferences for cultural heritage management strategies for an outstanding world heritage site.[21]
References
[edit]- ^ "Paestum, temples on the site of an important Greek city in Campania, Italy".
- ^ https://lsa.umich.edu/kelsey/research/past-field-projects/paestum-poseidonia-italy.html
- ^ https://helda.helsinki.fi/server/api/core/bitstreams/4dc75d67-7b14-40c3-ac44-d226ec109e57/content
- ^ Alfano, Maria Rosaria; Baraldi, Anna Laura; Cantabene, Claudia (2023). "Eppur si muove: An evaluation of museum policy reform in Italy". Journal of Cultural Economics. 47: 97–131. doi:10.1007/s10824-022-09447-6. S2CID 247355296.
- ^ "Paestum, 2017 da record: 22% di visitatori in più". 4 August 2017.
- ^ https://helda.helsinki.fi/server/api/core/bitstreams/4dc75d67-7b14-40c3-ac44-d226ec109e57/content
- ^ https://www.carc.ox.ac.uk/XDB/ASP/browse.asp?tableName=qryData&newwindow=&BrowseSession=99&companyPage=Contacts&newwindowsearchclosefrombrowse=false
- ^ "Dionysus - My Favourite Planet People".
- ^ "National Archaeological Museum of Paestum". 22 March 2018.
- ^ https://www.researchgate.net/publication/346953810_Conservation_and_virtual_reconstruction_of_the_Lucanian_Paintings_from_the_National_Archaeological_Museum_of_Paestum_ITALY
- ^ Amadori, Maria Letizia; Costantini, Ilaria; Madariaga Mota, Juan Manuel; Valentini, Laura; Ferrucci, Fabiano; Mengacci, Valeria; Camaiti, Mara (2021). "Calcium antimonate: A new discovery in colour palette of Paestum wall paintings". Microchemical Journal. 168: 106401. doi:10.1016/j.microc.2021.106401.
- ^ https://www.researchgate.net/publication/325836009_Results_of_diagnostic_campaign_promoted_by_AIAr_in_the_deposits_of_the_Archaeological_Museum_of_Paestum/link/5b2861d3aca2727335b6fddf/download
- ^ "Steinhardt Redux: Feds Seize Fresco Looted from Italian World Heritage Site, Destined for New York Billionaire". 18 November 2013.
- ^ https://www.napolike.com/paestum-a-dip-in-the-blue-path-autism-friendly-archaeological-park-paestum
- ^ Ferrari, Giorgia; Bosi, Giovanna; Ansaloni, Ivano; Sala, Luigi; Pederzoli, Aurora; Baraldi, Pietro; Mussi, Laura; Nannini, Matteo; Zannini, Paolo; Mazzanti, Marta Bandini (2018). "Images and colors from the tombs of Paestum: A multidisciplinary study of the pigments in the flora and fauna iconography". Journal of Archaeological Science: Reports. 20: 818–833. Bibcode:2018JArSR..20..818F. doi:10.1016/j.jasrep.2018.05.008. S2CID 194846036.
- ^ https://commons.wikimedia.org/wiki/File:Metopa_Paestum_03.JPG#/media/File:Metopa_Paestum_03.JPG
- ^ "Farewell scene, painted slab of Tomb 1 of the Necropolis in Spinazzo".
- ^ Veneranda, Marco; Costantini, Ilaria; Prieto-Taboada, Nagore; Larrañaga, Aitor; Castro, Kepa; Arana, Gorka; Averna, Andrea; Rescigno, Carlo; Madariaga, Juan Manuel (2021). "Spectroscopic-assisted archaeometric studies to determine the production technology of the VI BC Zeus Enthroned statue (Paestum, Italy) and Pre-Roman technology transfer". Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy. 249: 119294. Bibcode:2021AcSpA.24919294V. doi:10.1016/j.saa.2020.119294. PMID 33360059. S2CID 229692642.
- ^ https://www.socgeol.it/files/download/pubblicazioni/Abstract%20Book/abstract_book_pisa_2017_doi.pdf [vague]
- ^ http://www.archcalc.cnr.it/journal/resource.php?id=model:7
- ^ Ugo Colombino, Annamaria Nese and Patrizia Riganti, "Eliciting public preferences for managing cultural heritage sites: Evidence from a case study on the temples of Paestum".
Further reading
[edit]- Paestum: A City, a Civilization, a Heritage
- Excavations at Paestum - 1982
- Excavations at Paestum - 1983
- Excavations at Paestum - 1984
- The Tomb of the Diver