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Aditya 369

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Aditya 369
Theatrical release poster
Directed bySingeetam Srinivasa Rao
Written bySingeetam Srinivasa Rao
Dialogue by
Produced byS. Anitha Krishna
S. P. Balasubrahmanyam (presenter)
StarringNandamuri Balakrishna
Mohini
CinematographyV. S. R. Swamy
Kabir Lal
Edited byGowtam Raju
Music byIlayaraja
Production
company
Release date
  • 18 July 1991 (1991-07-18)
Running time
141 minutes
CountryIndia
LanguageTelugu

Aditya 369 is a 1991 Indian Telugu-language science fiction film written and directed by Singeetam Srinivasa Rao. The film stars Nandamuri Balakrishna and Mohini, with Amrish Puri, Tinnu Anand, Suthi Velu, Master Tarun, Chandra Mohan, and Silk Smitha in supporting roles. The music for the film was composed by Ilayaraja, and the dialogues were written by Jandhyala. Produced by S. Anitha Krishna under the Sridevi Movies banner, it was presented by S. P. Balasubrahmanyam. Aditya 369 received critical acclaim and won two state Nandi Awards.

Aditya 369 is the first time-travel film in Indian cinema[1] and is regarded as an influential work in Indian science fiction.[2] The film blends elements of history and science fiction, with a storyline centered around a time machine, which transports passengers to different time periods, including the 16th century and a post-apocalyptic future in the 26th century. It explores themes such as technology, democracy, and warfare. The film was inspired by H. G. Wells' novella The Time Machine (1895), which director Singeetam Srinivasa Rao had read in college. The historical segments are set during the reign of Vijayanagara emperor Sri Krishnadevaraya (r. 1509–1529), and the futuristic elements were researched by the director at the American Library in Madras.

The film was made on a budget of approximately ₹1.60 crore and took about 110 days to shoot. Three cinematographers worked on the film, each handling different time periods. P. C. Sreeram shot the present-day scenes but had to leave due to health issues. V. S. R. Swamy took over the historical scenes, and Kabir Lal filmed the futuristic ones. The film was also dubbed in Hindi as Mission 369 and Tamil as Apoorva Sakthi 369.

Plot

[edit]

The film begins in 1991 with Professor Ramdas, a scientist working on a time machine named Aditya 369. Meanwhile, Raja Varma, a notorious art thief, targets the 16th-century diamond from the Vijayanagara Empire housed at the Salar Jung Museum. During a school excursion, a mischievous boy named Kishore witnesses the theft, carried out by Raja Varma's accomplices, Vasu and Dasu. Krishna Kumar, a brave man, saves Kishore and takes him to the hospital. He is also in love with Professor Ramdas’s daughter, Hema, who dismisses her father’s experiments as useless.

As Krishna Kumar visits Ramdas's house, he comes across the time machine, which soon breaks down. He befriends Kishore, who insists that the theft occurred, but no one believes him. Raja Varma’s men attempt to kill Kishore at the hospital but fail. Krishna Kumar then takes Kishore to the museum, where they discover the diamond has been replaced, but Kishore believes it is a fake. Kishore learns about the time machine from Hema and realizes they can use it to travel back to the day of the robbery.

One night, Kishore sneaks into Ramdas’s house with other hospital children and activates the time machine. In an attempt to rescue them, Krishna Kumar and Hema accidentally get caught in the machine, along with a police constable chasing a petty thief. They are transported back to 1526 CE, during the reign of Vijayanagara emperor Sri Krishnadevaraya. Krishna Kumar saves Simhanandini, a royal court dancer, from an attack, and she invites them to the royal court. Krishna Kumar impresses the emperor by reciting a poem not yet written by the court poet, Tenali Ramakrishna. Though initially skeptical, Sri Krishnadevaraya welcomes them and listens as they explain that they are from the future.

Krishna Kumar sees the stolen diamond in the Emperor's prayer room, learning it has divine power which reflects on the eve of Karthika Pournami and is prophesied to be stolen twice, once during Sri Krishnadevaraya's reign and again after 500 years. Fascinated, they stay back to witness the event on the upcoming Karthika Pournami. When Sri Krishnadevaraya is worried about the arrival of an undefeated poet named Narasa Kavi to challenge his court poets, Krishna Kumar predicts the victory of Tenali Ramakrishna over him, impressing the Emperor.

Simhanandini, who becomes infatuated with Krishna Kumar, attempts to seduce him, but he rejects her. Humiliated, she accuses him of deception. To settle the matter, Krishna Kumar proposes a dance competition between Hema and Simhanandini, which Hema wins. They then request to witness the diamond’s effect on Karthika Pournami, and Sri Krishnadevaraya grants their wish. During the event, the diamond radiates seven colours in the moonlight.

Seeking revenge for her humiliation, Simhanandini conspires with Senadhipathi (commander) to frame Krishna Kumar for the diamond’s theft. While Krishna Kumar catches Senadhipathi attempting to steal the diamond, Senadhipathi successfully frames him for the crime in front of the emperor. Tenali Ramakrishna uncovers the truth, and after being abducted by Senadhipathi, he escapes with the help of Manjari, the constable’s love interest. Despite being sentenced to death, Krishna Kumar is saved by Sri Krishnadevaraya, who believes in his innocence. Tenali Ramakrishna, with Manjari’s help, reveals the truth to the emperor, clearing Krishna Kumar’s name.

Krishna Kumar, Hema, and the constable escape through the time machine, but instead of arriving in 1991, the machine malfunctions and takes them to 2504 CE. They find a post-apocalyptic world devastated by radiation from the Third World War. They learn that the time machine is malfunctioning, but they decide to explore the future, where people live underground and use the diamond for power. From a past news report, they discover that Krishna Kumar died in 1991 while attempting to retrieve the diamond from Raja Varma. Krishna Kumar makes the constable promise not to reveal his death, especially to Hema.

Realizing their time is running out, they return to 1991. Back in the present, they find that Raja Varma has kidnapped Professor Ramdas and Kishore to seize the time machine. Krishna Kumar rescues them and confronts Raja Varma in a fight that leads to a showdown at a hilltop, where the time machine explodes. Though presumed dead, Krishna Kumar survives by jumping off the cliff before the explosion. He realizes that they did not receive all the necessary information from the future.

The film ends with Professor Ramdas deciding that the time machine has no practical use for society or the country. He chooses to focus on other projects, while Kishore expresses his ambition to become a scientist like Ramdas.

Cast

[edit]

Production

[edit]

Development

[edit]

The concept for Aditya 369 was inspired by H. G. Wells' novella The Time Machine (1895), which director Singeetam Srinivasa Rao had read during his student years.[3][4] The idea of time travel intrigued Srinivasa Rao, and he developed a script to adapt the theme for the Telugu audience, focusing on its implications.[5] The story was designed to explore journeys to the past and future, with the historical era of Sri Krishnadevaraya (r. 1509–1529) chosen for the former. To conceptualize the future, Srinivasa Rao conducted research at the American Library in Madras (now Chennai). Drawing inspiration, he imagined underground cities, thought-projection through speakers, and other futuristic elements, which he incorporated into the script.[3] Though often compared to Back to the Future, Srinivasa Rao clarified that Aditya 369 was not inspired by it,[6] and observers have noted that the similarities between the two stop "with the trouble that the protagonist faces in a different time zone".[7]

The initial concept for the segment set in the era of Sri Krishnadevaraya focused on the political dynamics among the Ashtadiggajas, the eight renowned poets in his court. However, Srinivasa Rao decided against this approach, anticipating potential controversies and allegations of historical distortion.[3] Instead, the storyline was adapted to include lighthearted and humorous elements. The revised narrative featured memorable scenes such as the comedic "Meka Thokaku Meka..." sequence in Sri Krishnadevaraya's court, the lively rap interlude ("Rampampa Rampa Pampa") in the "Suramodham..." song, and entertaining interactions between Suttivelu and Srilakshmi. These additions brought a humorous tone to the film.[5] The literary discussion scene in the royal court bears a resemblance to a similar scene in Tenali Ramakrishna (1956); however, Srinivasa Rao gave it a distinct treatment in this film.[8][9]

During a flight between Bangalore and Madras, director Singeetam Srinivasa Rao shared the storyline of the film with singer S. P. Balasubrahmanyam, explaining its time travel theme and focus on the era of Sri Krishnadevaraya.[5] Impressed by the idea, Balasubrahmanyam suggested Rao approach his relative, producer Sivalenka Krishna Prasad, who had previously produced the successful film Chinnodu Peddodu (1988). Balasubrahmanyam introduced Krishna Prasad to Srinivasa Rao, and they had a detailed discussion about the project.[10] As Krishna Prasad was unfamiliar with the time travel genre, Srinivasa Rao provided him with video cassettes of Back to the Future Parts I (1985) and II (1989), as well as Time After Time (1979), to demonstrate how time travel is portrayed in these films. While the plot of Aditya 369 was entirely distinct from these films, the references helped Krishna Prasad understand the concept of time travel, which he was not previously familiar with.[11]

After grasping the concept, Krishna Prasad had concerns about the challenge of creating a film based on such an unexplored idea in Indian cinema. However, Balasubrahmanyam reassured him, believing the film could be a landmark. This encouragement ultimately convinced Krishna Prasad to proceed with production.[11] Srinivasa Rao later speculated that if he had not met Balasubrahmanyam on that flight, the film might not have been made.[10] S. Anitha Krishna, Krishna Prasad's wife, was credited as the producer, and Balasubrahmanyam served as the presenter. Srinivasa Rao handled the story, screenplay, and direction, while Jandhyala wrote the dialogues.[8]

Casting

[edit]

Producer Krishna Prasad suggested casting Nandamuri Balakrishna for the role of Sri Krishnadevaraya. Balasubrahmanyam supported this suggestion and helped facilitate discussion with Balakrishna.[11] Balakrishna immediately agreed after hearing the story and was eager to portray a character previously played by his father, N. T. Rama Rao.[10] He prepared extensively, including wearing a heavy crown to ensure an authentic performance.[5] Initially, Kamal Haasan was considered for the role of Krishna Kumar, and a multi-starrer featuring both actors was even planned.[12] However, due to Kamal Haasan's prior commitments, Balakrishna took on both roles.[13]

Vijayashanti was initially considered for the female lead, but scheduling conflicts led to the casting of Mohini, who was acquainted with cinematographer P. C. Sreeram.[4] This film marked Mohini's Telugu debut,[14] with her voice dubbed by S. P. Sailaja.[4] Hindi actor Tinu Anand was cast as the scientist who invents the time machine, and his voice was dubbed by S. P. Balasubrahmanyam.[15] Amrish Puri was cast as the primary antagonist, while Suthi Velu, Chandra Mohan, Silk Smita, and child actors Tarun and Raasi appeared in supporting roles.[8][16]

Filming

[edit]

The production of the film began in 1990, with P. C. Sreeram initially handling the cinematography for the present-day scenes. However, after completing the first schedule, he stepped down due to health issues.[10] V. S. R. Swamy subsequently took over cinematography for the historical era scenes, while Kabir Lal managed the cinematography for the futuristic sequences.[10] Peketi Ranga handled the art direction, while A. Sambasiva Rao was responsible for the costumes.[17]

Producer Krishna Prasad initially estimated that a budget of ₹1.30 crore would ensure the project's financial viability.[17] However, the costs increased by an additional ₹30 lakh. The sets constructed at Annapurna Studios and the concept of the time machine had already captured public interest, prompting distributors to cover the additional expenses. Ultimately, the total expenditure ranged between ₹1.52 crore and ₹1.60 crore.[17][5]

The scenes depicting Krishnadevaraya’s era were filmed at Annapurna Studios in Hyderabad, while the initial sequences featuring the time machine were shot at Vauhini Studios in Madras.[3] For certain scenes, the time machine prop was transported on a large truck to locations such as the Talakona forest in Andhra Pradesh. The futuristic sequences were filmed on specially constructed sets at VGP Golden Beach, Madras.[5] Practical effects were employed to depict a post-apocalyptic world devastated by World War Three.[15] Filming the future-related sequences required the most time due to the uniqueness of the concept and the practical challenges involved.[4]

The song "Jaanavule" was filmed on two floors at Annapurna Studios and recorded at Prasad Studios. The choreography was handled by Sundaram Master, with his sons Prabhu Deva and Raju Sundaram assisting him. Additionally, Prabhu Deva independently choreographed the song "Centurylu Kotte Vayassu Maadi".[14]

Due to limited visual effects technology in India at the time, the film was shot using a VHS camera and later transferred to film negative.[18][19] After completing the filming, the team traveled to London for the graphics work.[5]

Title

[edit]

Several titles, including Kaalayantram, Yuga Purushudu, and Adityudu were considered before Aditya 369 was finalized. The title was chosen to symbolize the Sun (Aditya), which transcends time and eras, while the number 369 represents the time machine’s serial number. The ascending sequence of numbers was selected to signify the concept of time travel.[17][3]

Music

[edit]
Aditya 369
Film score by
Ilayaraja
Released1991
GenreSoundtrack
Length25:52
LabelLEO Audio
ProducerIlayaraja
Ilayaraja chronology
Coolie No. 1
(1991) 		Aditya 369
(1991) 		Killer
(1991)

The music for the film was composed by Ilayaraja and released under the Leo Music Company label. The soundtrack is regarded as one of the best in Balakrishna's career, with songs like "Jaanavule" and "Raasaleela Vela" becoming instant hits among music lovers.[20]

For the song "Jaanavule," director Srinivasa Rao wanted a semi-classical tune inspired by old historical films, featuring vocalizations like "aahaa ha... Oho ho," typical of early talkie songs. Jikki was chosen to sing the song, and S. Janaki, who was in the studio, stayed until the recording was finished to help Jikki with her lines.[14]

No.TitleLyricsSinger(s)Length
1."Jaanavule"VeturiJikki, S. P. Sailaja, S. P. Balasubrahmanyam5:00
2."Raasaleela Vela"VennelakantiS. Janaki, S. P. Balasubrahmanyam5:07
3."Centurylu Kotte Vayassu"VeturiS. Janaki, S. P. Balasubrahmanyam4:53
4."Chilipi Yaatralo"SirivennelaK. S. Chithra, S. P. Balasubrahmanyam4:45
5."Suramodamu"VeturiS. Janaki, S. P. Balasubrahmanyam, Sunanda, Singeetam Srinivasa Rao6:07
Total length:25:52

Marketing

[edit]

Producer Sivalenka Krishnaprasad, aiming to enhance Aditya 369's visibility, requested Chiranjeevi's participation in the film's promotional campaign.[21] Chiranjeevi agreed to appear in an advertisement, which was broadcast on Doordarshan.[4] This promotional effort helped attract a wider audience, particularly among families and younger viewers, contributing to the film's success.[21]

Reception

[edit]

Critical response

[edit]

The film, granted a 'U' certificate by the Censor Board, was released on 18 July 1991.[4] It received positive reviews, with commendation for its technical aspects, music, cinematography, visual effects, production design, and performances by the cast.[18][22]

In a retrospective review, Gudipoodi Srihari describes Aditya 369 as "an interesting and entertaining film" that blends science fiction with history, praising its performances, music, cinematography, and technical strengths.[23] In 2020, Balakrishna Ganeshan of The News Minute wrote, "The film is considered to be a masterpiece because it perfectly blended the genre of sci-fi and drama with the mainstream template of songs and fight sequences to make it an entertaining watch. It also unlocked the imagination of scores of people to look beyond our realm by popularising Albert Einstein's theories of time and relativity."[7]

Box office

[edit]

Aditya 369 was a box office success. However, its earnings were not as high as those of Balakrishna's commercial potboilers released around the same time.[8] The film was later dubbed into Tamil as Apoorva Sakthi 369, which was released in August 1992 and also met with success.[24][4] It was subsequently dubbed into Hindi under the title Mission 369.[25]

Themes

[edit]

Aditya 369 is regarded as the first Indian film based on time travel.[1] The film blends elements of science fiction and historical fiction, exploring themes of time travel, democracy, technology, and warfare.[26] It contrasts two distinct time periods: the grandeur of the Vijayanagara Empire in 1526 and a post-apocalyptic future in 2504.[27]

The film portrays the Vijayanagara Empire under Emperor Sri Krishnadevaraya in an idealized light, showcasing a society where the streets are filled with pearls and diamonds, and theft is unheard of.[7] Krishnadevaraya is depicted as a noble ruler, symbolizing the virtues of the past. However, the narrative also highlights the advancements of modernity, suggesting that democracy and technological progress have improved the world. Krishna Kumar’s casual explanations of modern concepts to people of the past serve as playful critiques of historical structures.[7]

In addition to the historical setting, Aditya 369 presents a post-apocalyptic future. Set in 2504, the future world is depicted as a devastated Earth, scarred by the aftermath of World War III. Nuclear radiation has rendered the surface of the planet uninhabitable, forcing humanity to live underground in hermetically sealed structures.[28] Advanced technology helps people adapt to this harsh reality, with devices such as "stomach computers" that notify individuals when to eat, machines that interpret thoughts, and "Dragon Walk," a precursor to modern music-streaming platforms. The society is heavily reliant on technology, with people embracing it with amusement rather than cynicism.[28]

The film adopts a light-hearted and adventurous approach to time travel, with characters interacting with historical figures without concern for altering the past.[26] Unlike typical time travel stories that explore the consequences of changing history, Aditya 369 presents a world where the past and future coexist without significant changes to the timeline. Kali Wallace of Reactor noted that the film’s narrative focuses on this coexistence rather than the disruption of history.[26]

At its core, Aditya 369 follows the classic hero’s journey, with Krishna Kumar overcoming various challenges to thwart the villain, Raja Varma. The film maintains an optimistic tone, celebrating heroism and the triumph of good over evil.[26] The diamond serves as a central element connecting the past, present, and future timelines, playing a crucial role in the plot across all three eras.[23]

Legacy

[edit]

Aditya 369 is regarded as an influential film in the science fiction genre within Telugu and Indian cinema,[2] pioneering time travel-themed storytelling in the country.[1]

The film has been praised by several filmmakers. Director Nag Ashwin has cited Aditya 369, alongside Bhairava Dweepam, as one of his favourite films.[29][30] Similarly, director Venkatesh Maha has expressed admiration for the film, describing it, along with Bhairava Dweepam, as a "courageous" effort for its time.[31] Actor and producer Nandamuri Kalyan Ram has cited Aditya 369 as one of his favourites, crediting it as an influence on the production of Bimbisara (2022).[32]

The 2021 film Adbhutham references Aditya 369, with its climax drawing inspiration from the earlier film.[33][34] Director Raghavendra Varma Indukuri of Bombhaat (2020) also credited Aditya 369 as a key inspiration for making an accessible and entertaining science fiction film.[35] In the 2023 film Bro, a song titled "Jaanavule" was named after the popular track from Aditya 369.[36]

Future

[edit]

In January 2017, Srinivasa Rao announced his intention to work on Aditya 369's sequel.[37] Later, it is reported that the sequel would feature Balakrishna along with his son Mokshagna. The sequel titled Aditya 999 Max was reportedly written by Balakrishna in just one night.[38][39] After years of speculation, Balakrishna confirmed on Unstoppable in December 2024 that the sequel will begin production in 2025, with Mokshagna starring.[40] The director for the film remains unconfirmed.[41]

Awards

[edit]
Nandi Awards[42]

See also

[edit]

References

[edit]
  1. ^ a b c
    • Banerji, Debashish; Md Monirul Islam; Sengupta, Samrat, eds. (10 December 2024). Posthumanism and India: A Critical Cartography. Bloomsbury Publishing. pp. 115–116. ISBN 978-93-6131-588-6. The 1991 Telugu feature Aditya 369 is another notable example in the genre. It is the first time-travel film made in India.
    • Wallace, Kali (14 August 2024). "Aditya 369: Diamond Thieves, Dance-Offs, and Derring-do". Reactor. Retrieved 28 December 2024. India's first time travel film gleefully blends genres, history, and musical numbers as it bounces between the past, future, and present.
    • Goyal, Samarth (30 December 2021). "Best Indian Movies Dealing With Dystopia and Post Apocalypse". Outlook. Archived from the original on 22 September 2022. Retrieved 22 September 2022. The 1991 Telugu-language film is vastly considered the first Indian film ever based on the concept of time travel.
    • Nyayapati, Neeshita (18 July 2018). "Balakrishna's famous sci-fi 'Aditya 369' turns 27 today". The Times of India. ISSN 0971-8257. Archived from the original on 17 September 2019. 'Aditya 369' was considered to be the first time travel film made not just in the Telugu film industry, but also in India.
  2. ^ a b
  3. ^ a b c d e "Aditya 369: తెర వెనుక జరిగింది ఇది! - 30 years for classic Aditya 369". Eenadu (in Telugu). 18 July 2021. Archived from the original on 18 July 2021.
  4. ^ a b c d e f g "25 Years of Aditya 369". Telugucinema.com. 17 July 2016. Archived from the original on 20 July 2016. Retrieved 22 September 2022.
  5. ^ a b c d e f g "Aditya 369 Movie: ఆల్‌టైమ్ క్లాసిక్‌ 'ఆదిత్య 369'కు 33 ఏళ్లు.. ఈ ఆసక్తికర విషయాలు తెలుసా?". Eenadu (in Telugu). 18 July 2024. Retrieved 27 December 2024.
  6. ^ "Singeetham Srinivasa Rao interview about Welcome Obama". Idlebrain. 20 September 2013. Archived from the original on 25 June 2015. Retrieved 22 September 2022.
  7. ^ a b c d Ganeshan, Balakrishna (19 September 2020). "'Aditya 369': Revisiting the Telugu film which explored time travel in 1991". The News Minute. Archived from the original on 3 October 2020. Retrieved 11 February 2021.
  8. ^ a b c d Ramakrishna (18 July 2021). "అద్భుతం… 'ఆదిత్య 369'". NTV (in Telugu). Retrieved 28 December 2024.
  9. ^ Haasam. Hasam Prachuranalu. 16–31 July 2002. p. 63.
  10. ^ a b c d e "ఆదిత్య 369 @30: ఆ టైం మెషిన్‌కు స్ఫూర్తి ఎవరో తెలుసా? | Balakrishna Aditya 369 Movie Completed 30 Years". Sakshi (in Telugu). 18 July 2021. Retrieved 28 December 2024.
  11. ^ a b c "30ఏళ్ళు పూర్తి చేసుకున్న ఆదిత్య 369... టీమ్ నుండి స్పెషల్ వీడియో. సీక్వెల్ కన్ఫర్మ్ చేసిన సింగీతం!". Asianet News Network (in Telugu). 18 July 2021. Retrieved 29 December 2024.
  12. ^ Govardhan, Maragani (24 January 2022). "ఆదిత్య 369 చిత్రం మొదట మల్టీస్టారర్.. బాలయ్య పక్కన స్టార్ హీరో!". HT Media (in Telugu). Retrieved 29 December 2024.
  13. ^ "Aditya 369 movie: అందుకే కమల్‌హాసన్‌ 'ఆదిత్య 369' చేయలేదు". Eenadu (in Telugu). 14 January 2024. Retrieved 27 December 2024.
  14. ^ a b c M. L. Narasimham (12 October 2018). "As charming as an earlier era". The Hindu. Archived from the original on 29 January 2021. Retrieved 28 August 2019.
  15. ^ a b Nyayapati, Neeshita. "Balakrishna's famous sci-fi 'Aditya 369' turns 27 today". The Times of India. ISSN 0971-8257. Archived from the original on 17 September 2019. Retrieved 19 March 2023. 'Aditya 369' was considered to be the first time travel film made not just in the Telugu film industry, but also in India.
  16. ^ "30 Years of Aditya 369 Movie". Sridevi Movies. 17 July 2021. Archived from the original on 20 July 2021. Retrieved 20 July 2021 – via YouTube.
  17. ^ a b c d "పాతికేళ్ల 'ఆదిత్య 369'". Andhra Jyothi. 18 July 2016. Archived from the original on 11 June 2020. Retrieved 22 September 2022.
  18. ^ a b "Iconic 'Aditya 369' completes 30 years". Telugucinema.com. 18 July 2021. Archived from the original on 19 June 2024. Retrieved 25 December 2024.
  19. ^ K. Sunil Kumar (11 July 2022). "Nandamuri Balakrishna Top 10 Movies: నందమూరి బాలకృష్ణ టాప్ టెన్ సినిమాలు ఇవే.. ప్రత్యేకతలేంటో తెలుసా?". Pinkvilla (in Telugu). Retrieved 25 December 2024.
  20. ^ "Balakrishna Top Ten films - Part one". Telugucinema.com. 20 December 2005. Archived from the original on 3 June 2007. Retrieved 24 December 2024.
  21. ^ a b "బాలకృష్ణకు చిరంజీవి సాయం.. దేని కోసమే తెలుసా." News18 (in Telugu). 23 October 2019. Retrieved 25 December 2024.
  22. ^ "Celebrating 30 years of timeless classic 'Aditya 369'". Telangana Today. 17 July 2021. Archived from the original on 19 July 2021. Retrieved 19 July 2021.
  23. ^ a b Gudipoodi Srihari. "Telugu Cinema Nostalgia - Aditya 369". Idlebrain.com. Retrieved 29 December 2024.
  24. ^ RSP (7 August 1992). "Time machine". The Indian Express. p. 7. Archived from the original on 24 June 2021. Retrieved 19 June 2021.
  25. ^ Kuldova, Tereza; Varghese, Mathew A. (9 March 2017). Urban Utopias: Excess and Expulsion in Neoliberal South Asia. Springer. ISBN 978-3-319-47623-0. Archived from the original on 17 May 2024. Retrieved 22 March 2021.
  26. ^ a b c d Wallace, Kali (14 August 2024). "Aditya 369: Diamond Thieves, Dance-Offs, and Derring-do". Reactor. Archived from the original on 18 September 2024. Retrieved 21 December 2024.
  27. ^ Gokulsing, K. Moti; Dissanayake, Wimal (2013). Routledge Handbook of Indian Cinemas. Routledge. p. 291. ISBN 978-1-136-77284-9.
  28. ^ a b Gayle Sequeira; Ashutosh Mohan (27 March 2021). "Videochats On The Moon, Immortality Pills: What Early Indian Sci-Fi Looked Like". Film Companion. Retrieved 28 December 2024.
  29. ^ "Nag Ashwin – Kalki 2898 AD is like the climax of all Indian epics". 123Telugu.com. 18 June 2024. Archived from the original on 18 August 2024. Retrieved 18 August 2024.
  30. ^ "Kalki 2898 AD: Director Nag Ashwin Says He Took Five Years to Write The Story". ETV Bharat News. 19 June 2024. Archived from the original on 18 August 2024. Retrieved 18 August 2024.
  31. ^ "Maha eyes NBK for his psychological drama". Idlebrain.com. 8 November 2022. Archived from the original on 26 November 2022. Retrieved 24 December 2024.
  32. ^ Nadadhur, Srivathsan (27 July 2022). "Nandamuri Kalyan Ram on Bimbisara: Always had a huge fascination for socio-fantasies and folklore films". OTTPlay. Archived from the original on 25 September 2022. Retrieved 25 September 2022.
  33. ^ Dundoo, Sangeetha Devi (20 November 2021). "'Adbhutham' movie review: Doesn't live up to its title". The Hindu. ISSN 0971-751X. Retrieved 29 December 2024.
  34. ^ Nadadhur, Srivathsan (19 November 2021). "Adbhutham movie review: Nothing magical about this ambitious yet haywire romance". OTTPlay. Retrieved 29 December 2024.
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