Ann Loomis Silsbee
Ann Loomis Silsbee (21 July 1930 - 28 August 2003) was an American composer[1] and poet who composed two operas,[2] published three books of poetry,[3] and received several awards, commissions, and fellowships.
Silsbee was born in Cambridge, Massachusetts.[4] She earned a bachelor's degree from Radcliffe College, a master's in music from Syracuse University, and a doctor of musical arts in composition from Cornell University. She studied with Irving Fine,[5] Earl George, and Karel Husa,[6] and in Paris with unspecified teachers.[7] Her dissertation was on a composition by Peter Maxwell Davies called Stone Litany.[8] While at Cornell, she attended a poetry seminar led by Archibald Randolph (A.R.) Ammons, whose poetry she would later set to music. She married Robert Silsbee, a physicist who taught at Cornell,[3] and they had three sons, Doug, David, and Peter.[9]
In 1964, Silsbee's work River was performed at the Ferienkurs fuer Neue Musik in Darmstadt, Germany.[10] In the late 1960s and early 1970s, she taught at the State University of Cortland (New York) and at Cornell University.[7] In the early 2000s, she hosted several poetry groups and retreats.[3] Her awards, commissions, and fellowships included:
Awards
[edit]- Burge Eastman Prize[7]
- Society for New Music
Commissions
[edit]Fellowships
[edit]- Composers Conference, Vermont[11]
- Composer Fellowship Grant, National Endowment for the Arts[11]
- Yaddo Residency 1979[11]
Silsbee served on the boards of the American Composers Alliance (ACA) and the International League of Women Composers. Her papers are archived at Cornell University.[3] Her works were recorded commercially on the LPs TURNA TV 34704 and NORTH NR 221,[7] and published by the ACA.[12] They include:
Books
[edit]Chamber
[edit]- Another River (cello quartet and percussion)[13]
- Expressions (clarinet)[7]
- Glyphs (guitar and harpsichord)[7]
- Go Gentle (three woodwinds or three strings)[7]
- Journey (flute and percussion)[7]
- Pathway (percussion and strings)[7]
- Phantasy (oboe and harpsichord)[7]
- Pharos (cello, piano and percussion)[7]
- Quartet (clarinet, violin, cello and piano)[14]
- Quest (string quartet)[7]
- Runemusic (cello)[7]
- Spirals (string quartet; also arranged for piano and for orchestra)[7]
- Three Chants (unspecified number of flutes)[7]
- Trialogue (violin, clarinet and piano)[7]
Dance
[edit]- River (two groups of musicians and optional dancers)[7]
Electronic
[edit]- Prometheus (bass, chorus, chamber ensemble and tape)[7]
Opera
[edit]Orchestra
[edit]Piano
[edit]- Bagatelle[7]
- Corrai (prepared piano) [7]
- Doors (Burge Eastman prize)[7]
- Expressions[7]
- In and Out the Window[7]
- Letter from a Field Biologist (two pianos)[3]
- Spirals (also arranged for string quartet and for orchestra)[7]
Vocal
[edit]- An Acre for a Bird (motet)[7]
- Bourn (text by A. R. Ammons; soprano, tenor, cello and harpsichord)[7]
- Canticle (text after the Song of Solomon; soprano, oboe and harpsichord)[7]
- De Amore et Morte (woman's voice and chamber ensemble)[7]
- Diffraction (text by e. e. cummings; soprano, flute, piano and percussion)[7]
- Dona Nobis Pacem (chorus)[5]
- “Huit Chants en Brun” (text by Federico Garcia Lorca; translated into French by Andre Belamich)[7]
- Hymn (text by A. R. Ammons; soprano, oboe and piano)[7]
- Icarus (eight voices, recorder, and bongo drums)[7]
- Leavings (soprano, percussion and prepared piano)[7]
- Mirages (text by e. e. cummings; bass, cello and quarter tone harpsichord)[7]
- “Now” (text by e. e. cummings)[7]
- Only the Cold, Bare Moon (song cycle based on eight Chinese poems; soprano, flute and piano)[7]
- Pictures from Brueghel (soprano and chorus)[7]
- Raft (text by A. R. Ammons; narrator and percussion)[7]
- Scroll (soprano and chamber ensemble)[7]
References
[edit]- ^ Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Don A. Hennessee (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-2769-7. OCLC 28889156.
- ^ a b c d e Borroff, Edith (1992). American operas : a checklist. J. Bunker Clark. Warren, Mich.: Harmonie Park Press. ISBN 0-89990-063-1. OCLC 26809841.
- ^ a b c d e f g h Zhou, Andrew. "Downriver: Ann Silsbee and the Creation of Letter from a Field Biologist". Retrieved 2022-04-23.
- ^ Stern, Susan (1978). Women composers : a handbook. Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-1138-3. OCLC 3844725.
- ^ a b Anderson, Ruth (1976). Contemporary American composers : a biographical dictionary. Boston: G.K. Hall. ISBN 0-8161-1117-0. OCLC 2035024.
- ^ Directory of New Music. Crystal Record Company. 1983.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap Cohen, Aaron I. (1987). International encyclopedia of women composers (Second edition, revised and enlarged ed.). New York. ISBN 0-9617485-2-4. OCLC 16714846.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Surtees, Warnaby, John. The Music Of Peter Maxwell Davies Based On The Writings Of George Mackay Brown. OCLC 1005982091.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ Home, Bangs Funeral. "Obituary for Robert H. Silsbee | Bangs Funeral Home". Obituary for Robert H. Silsbee | Bangs Funeral Home. Retrieved 2022-04-23.
- ^ McVicker, Mary F. (2016-08-04). Women Opera Composers: Biographies from the 1500s to the 21st Century. McFarland. ISBN 978-1-4766-2361-0.
- ^ a b c Heinrich, Adel (1991). Organ and harpsichord music by women composers : an annotated catalog. New York: Greenwood Press. ISBN 978-0-313-38790-6. OCLC 650307517.
- ^ Stewart-Green, Miriam (1980). Women composers : a checklist of works for the solo voice. Boston, Mass.: G.K. Hall. ISBN 0-8161-8498-4. OCLC 6815939.
- ^ Price, Nancy (2016-02-25). Cello and Double Bass Ensemble Music. Lulu.com. ISBN 978-1-329-92715-5.
- ^ The Clarinet. Department of Music, Idaho State University. 1980.
External links
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