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Draft:Federico Bardazzi

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  • Comment: Unfortunately some claims are still missing references. It may be necessary to inform you that Youtube and spotify is not a reliable source, and usually should not be used to support claims in a biography. ABG (Talk/Report any mistakes here) 03:27, 8 July 2024 (UTC)
  • Comment: For the same reason this was moved to draftspace. There is a lot of information in this draft that does not contain a source. You will need to either remove that information or add an WP:INCITE reference that verifies. CNMall41 (talk) 19:19, 24 January 2024 (UTC)
Federico Bardazzi
Background information
OriginItaly
Genres
Years active1975 - in activity
Albums released 18
Studio albums 17
Collections 1
Audiovisual works 3

Federico Bardazzi[1] (born April 7, 1962, in Florence) is an Italian conductor and musician, specializing in early, baroque music, and Gregorian chant. He is also a choir director.

Biography

[edit]

In 1975, he became a choir conductor and organist at the Pieve di Sant'Alessandro in Giogoli, where he conducted his first Gregorian chant Mass. In 1976, he assumed the role of organist and choir director at the Certosa of Florence.[2] In 1981, he co-founded the Florence Chamber Orchestra (Orchestra da Camera Fiorentina).

In 1987, he graduated in Cello at the Florence Conservatory of Muisic and he continued his studies with André Navarra at the Chigiana Music Academy in Siena. in 1989 at the Chigiana Academy, he studied orchestral conducting with Myung Whun Chung. In 1993, he obtained his degree in orchestral conducting and delved into the study of Baroque music, following the productions of Philippe Herreweghe with the Collegium Vocale Gent and the La Chapelle Royale Orchestra. He studied Gregorian chant at the AISCGre in Cremona under, Johannes Göschl. In 1993, he founded the Ensemble San Felice[3]

Opera

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Ulisse - Odysseus - Il ritorno di Ulisse in patria 2022
L'orfeo - 2021

In 1995, he collaborated as a choir director on Jacopo Peri's Euridice[4],[5] a co-production between the Teatro Comunale of Florence under the direction of Alan Curtis , in the same year he directed Acis e Galatea,[6][7] a co-production with Kammeroper Frankfurt. In 2000, he directed Handel's Tamerlano in San Gimignano. In 2008, he directed Rodrigo[8][9] by the same composer at the Lufthansa Festival in London, and featuring, among others, Susanna Rigacci. The production was presented in 2009 at the Teatro della Pergola in Florence. In 2010, he directed Handel's Giustino[10][11] in Genoa and Brescia.

In 2013 and 2014, he directed Il Flaminio[12] by Pergolesi in co-production with the Teatro Verdi in Pisa. In the same year, at the Teatro Goldoni in Florence, he directed Purcell's Fairy Queen[13][14] for the Academy of the Teatro del Maggio Musicale Fiorentino. In 2015, he directed Scarlatti's Il trionfo dell'onore and Gazzaniga's Don Giovanni o sia il convitato di pietra[15][16][17][18][19] at the Festival Don Giovanni at the Teatro Verdi in Pisa. in the same year, he directed Puccini's Suor Angelica[20] and Il barbiere di Siviglia.[21] In 2018, he was involved in the opera Motezuma by Galuppi,[22][23][24] performed at the Puccini Festival and at the Salzburger Landestheater with the Mozarteumorchester Salzburg.

In 2019, he directed Monteverdi's L'incoronazione di Poppea.[25][26] In 2020, in co-production with the Cantiere Internazionale d'Arte in Montepulciano, he presented Mozart's Don Giovanni - Gazzaniga,[27] based on the Parisian version edited by Luigi Cherubini.

Since 2019 he dedicated himself to the digital transition in the opera sector and developed the Virtual Stage[28][29] concept by Carla Zanin[30] for a new format of production, research, and training in the opera theater, supported by the European Union. The main productions realized include L'Orfeo[31] (2021), Il ritorno di Ulisse in patria[32][33] by Claudio Monteverdi (2022/2023), Don Giovanni (2021), Le nozze di Figaro[34] by Mozart (2022), La Cenerentola[35] by Rossini (2022), and L'elisir d'amore[36] by Donizetti (2022). In 2023, he directed Orfeo & Lwanda[37] aty the Kenyatta University in Nairobi as part of the European Project CAPHE-Communities and Artistic Participation in Hybrid Environment,[38] which relates the myth of Orpheus and the legend of Lwanda Magere from the Luo community in a show with VR experiments that are live-streamed in a virtual environment on Second Life.[39]

Sacred and Baroque Music

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In 1995, he retrieved works by an anonymous 17th-century author from the archives of the National Central Library of Florence, San Filippo Neri. From 1996 onwards, he devoted himself to Johann Sebastian Bach productions with Baroque instruments, including the Mass in B minor[40] and the complete Motets[41][42] In 1997, he encountered the composer Arvo Pärt,[43] drawing inspiration from him for a program centered around the Magnificat.[44][45][46][47] The repertoire included Pärt's Sieben Magnificat Antiphonen and Magnificat from the Armenian and Georgian Middle Ages, progressing through Palestrina, Monteverdi, Gabrieli, contemporary works by Pärt. The program was performed during a tour in Germany.

Also in 1997, he produced Andrea Cavallari's Apocalypse with choreography and dance by Virgilio Sieni and conducted Mozart's Requiem[48][49][50] in a version curated through the analysis of Joseph Eybler's historical version and contemporary versions by Richard Maunder, Franz Beyer, and Robert Levin. In 1998, he began work on Carissimi's oratorios.[51][52][53][54][55][56][57][58] In 1999, he proposed the project of medieval music El cant de la Sibilla.[59][60][61][62] Also in 1999, he was invited to conduct in the Florence Baptistery the Mass on the Aria di Fiorenza by Frescobaldi[63][64][65] for O flos colende,[66] a Sacred Music festival of the Opera di Santa Maria del Fiore.

Subsequently, he conducted Johann Sebastian Bach's Kirchenmusik: in 2003 and 2004, the Lutheran Masses in F major and G minor; in 2004, he performed the Berliner Messe[67] at the Auditorium Santo Stefano al Ponte, and in the same year, in the Basilica di Santa Trinita, with the reconstruction of the Gregorian liturgy. In 2005 and 2007, he worked on the Johannespassion, in 2006 and 2008 on the Weinachts oratorium and the Öster oratorium. In 2008, he proposed the first modern performance of the Vespers of Stiava[68][69][70] once again with the reconstruction of the liturgy in Gregorian chant; the concert took place in the Basilica di San Lorenzo for the Amici della Musica di Firenze.

He dedicated himself to various versions of Leçons des ténèbres: by Couperin in 2004 and 2005, by Michel-Richard Delalande in 2007, presented with liturgical reconstruction through the inclusion of psalmody and Gregorian responsories. In this line, in 2008, he performed the Lamentations of Jan Dismas Zelenka. In 2009, he founded the Baroque Ensemble of Maggio Fiorentino Formazione, he then conducted the complete Brandenburg Concertos by Bach[71][72] In 2010, in collaboration with the University of Padua, he created a program of Scottish Renaissance music from a manuscript by Thomas Wade: the concert was replicated in the following years at various festivals and congresses in Italy and abroad. In 2011, at the Teatro della Pergola for the Amici della Musica di Firenze,[73] he conducted Monteverdi's Vespers of the Blessed Virgin[74] presented with the reconstruction of the liturgy in Gregorian chant. In the same year, he dedicated himself to broken singing, creating with Gabriele Giacomelli on the organ a monographic program on Frescobaldi with chants from the liturgy in canto fratto[75] taken from manuscripts of the 14th century kept in Santa Felicita in Florence.

In 2012, he directed Handel's Messiah for Maggio Fiorentino Formazione[76]; in the same year, O flos colende invited him to the Florence Cathedral to perform once again the Mass on the Aria di Fiorenza by Frescobaldi,[77][78] this time with the reconstruction of the liturgy in Gregorian chant. In 2012, he reprised Buxtehude's[79] Membra Jesu Nostri in the Cathedral of Massa. In 2013 and 2014, again Messiah in Poland and Hungary; Handel's oratorio was once again performed in Florence in 2019. In 2017, he performed and recorded Rossini's[80][81] Petite Messe Solennelle.

Medieval Music and Gregorian Chant

[edit]

In 2002, he presented the liturgical drama Quem queritis,[82][83][84][85] arranged from Florentine manuscripts in stage versioni. In 2003, he co-founded the Festival in canto gregoriano in Florence.

Starting in 2006, he began a musical research project focused on the manuscripts of Hildegard von Bingen[86][87][88][89] , proposing a liturgical reconstruction of the 3rd Notturno aIn 2007, together with Enzo Ventroni, he organized the Congress[90][91][92] of the AISCgre (International Association for Gregorian Chant Studies),[93] which brought researchers and choirs from around the world to Florence.

From 2002 to 2006, he was a member of the National Board of Directors, and from 2009 to 2015, he served on the International Board of Directors of the AISCGre. During this period, he performed medieval music programs at festivals in Italy and abroad, in venues such as the Cathedral of Brussels, the Church of St. Andrew in Cologne, the Baptistery of Florence, and the Eglise de Notre Dame in Poët Laval.

In 2000, he created the program Nigra sum sed Formosa, based on the cult of Mary in monasteries and courts, featuring the Cantigas de Santa Maria[94][95] by Alfonso X and the vesper of Mary in Gregorian chant.

In 2008, he conducted research at the University of Tor Vergata on San Zanobi[96][97] in collaboration with Giacomo Baroffio, Agostino Ziino.

He reconstructed the entire office and mass from the 14th century dedicated to the saint. The program was performed in Italy and abroad, and an essay was produced on this topic. In particular, in 2011, the program was performed at the Galleria Tretyakov in Moscow as part of the twinning between the Diocese of Florence and the Patriarchate of Moscow.

In 2009, he performed the complete works of Francesco Landini in contrafacta version, with sacred texts rediscovered in some Florentine manuscripts from the Marucelliana Library and the National Library of Florence. The project was curated in collaboration with the University of Bergen.

In 2015, he directed La Musica della Commedia.[98][99][100] The project was performed throughout Italy and Europe and in 2015 at the Ravenna Festival and in the Florence Cathedral, in a show featuring Alessio Boni, in co-production with the Teatro della Pergola and the Opera of Santa Maria del Fiore.

In 2015, he performed the Passio Sancti Miniatis,[101] an opera recovered through research on the Antiphonary of the Archbishopric of Florence (ca. 1250). In 2017, he directed and recorded a theatrical and musical performance titled Ildegarda la Sibilla del Reno[102] by Cristina Borgogni in the Florence Cathedral.

Also in 2017, he reconstructed and recorded the celebration of Easter at San Marco in Venice with the program Monteverdi & Gabrieli.[103]

In 2018, he was invited by Katia Bach, a direct descendant of Johann Sebastian Bach, to give a lecture-concert titled Dante & Bob Dylan[104][105][106] at the Marucelliana Library in Florence. This event marked the beginning of a new project on the figure of St. Francis of Assisi, curated by Carla Zanin with texts by Cristina Borgogni.[107] The project includes medieval lauds and dances, ethno-inspired pieces, and international pop songs.

In 2019, he curated the music and conducted at Santa Croce and San Miniato al Monte in Florence for "Umiliana,[108]" a semi-staged theatrical piece dedicated to the figure of Blessed Umiliana de' Cerchi, a Franciscan tertiary from Florence in the 13th century.

Teaching Activities

[edit]

Nel 1991, he founded the Centro Studi Musica Siena with the violinist Chiara Cetica and the flutist Giovanna Mazzini. In the same year, he also founded the Accademia San Felice[109][110] (formerly known as Accademia di San Leonardo in Arcetri) with Chiara Cetica, flutist Paola Mattei, and the Italo-American composer Andrea Cavallari. In 1993, he began teaching at the Bellini Conservatory in Palermo, and in 2003, he started teaching at the Marenzio Conservatory in Brescia.[111] In 2007, he was invited by Fiamma Nicolodi to offer a course on Gregorian chant and medieval music at the University of Florence.

Kenyatta University, Nairobi 2023

In 2009, he was appointed director of the courses at Maggio Fiorentino Formazione, initiating a collaboration with Carla Zanin and Paolo Bellocci, leading to the establishment of the Opera Network Association. This association developed multiple training programs funded by the European Social Fund (FSE) for both artistic and technical professions in lyric theater. In 2015, Opera Network became a CVCL Examination Center of the University for Foreigners of Perugia and began numerous projects in collaboration with Chinese and American conservatories, academies, and universities in the fields of music, art, and the Italian language. From 2015 to 2021, he served as the director of the Training Agency of the Puccini Festival Foundation with Paolo Bellocci. In 2012, he taught at the Puccini Conservatory in La Spezia,[112] where, since 2021, he has been the Coordinator of International Relations and Projects for CAPHE[113]-Communities and Artistic Participation in Hybrid Environment (Horizons Europe 2022–2026) and IMSV-In Media Stat Virtus[114] (Erasmus+ 2021–2024). He is also a member of the academic council and the research committee.

In 2021, he collaborated with the Opera Studio Bel Canto[115] in Foggia as a teacher and director for numerous productions at the Umberto Giordano Theater in Foggia and the historic Garibaldi Theater in Lucera. Additionally, over the years, he has organized various masterclasses[116] both in Italy and abroad, focusing on orchestral conducting and baroque, Gregorian, and operatic repertoires.

Direction of Cultural Projects

[edit]

1996 Caleidoscopio: Accademia San Felice – European Union

1997 Leonardo Mobility: Accademia San Felice – European Union ISFOL[117]

2003 Festival in canto gregoriano – incontri internazionali di Firenze: Ensemble San Felice, Viri Galilaei, Capitolo Metropolitano Fiorentino[118]

2009 CSSR – Corso di specializzazione per Scenografi Realizzatori: Maggio Fiorentino Formazione – FSE Provincia di Firenze

2009 CSCL – Corso di Specializzazione per Cantanti Lirici: Maggio Fiorentino Formazione – FSE Provincia di Firenze

2010 INFARS: Maggio Fiorentino Formazione – FSE Provincia di Firenze

2010 CFT – Centri Formativi Territoriali 1: Maggio Fiorentino Formazione - FSE Provincia di Firenze

2011 Opera Futura, Maggio Fiorentino Formazione - FSE Regione Toscana 2012 FICF – Florence International Choir Festival - Ensemble San Felice

2012 CFT – Centri Formativi Territoriali 2: Maggio Fiorentino Formazione - FSE Provincia di Firenze[119]

2014 Festival in canto armonico: Ensemble San Felice, Pueri cantores della Cattedrale di Sarzana[120]

2014 Illumino - Tecnico delle attività di illuminazione di spettacoli teatrali ed eventi dal vivo: Teatro Metastasio Prato - FSE Provincia di Firenze

2014 Cantus Posterius: Ensemble San Felice - Unione Europea ISFOL 2014 Vet Music Pro: Ensemble San Felice - Unione Europea ISFOL[121][122][123]

2016 ALI – Autonomia, Lavoro, Inclusione: Opera Network, SdS Firenze nord ovest - FSE Regione Toscana[124]

2016 VAL.O.RE – Valutazione, Occupazione, Reti, Reti e percorsi di sostegno al lavoro per persone disabili e vulnerabili: Opera Network, SdS Versilia - FSE Regione Toscana[125]

2017 Erasmusicplus: Ensemble San Felice - Unione Europea INAPP[126]

2017 SAEST - Scenografo per l'Allestimento di Eventi e Spettacoli Teatrali: Opera Network, Fondazione Festival Pucciniano - FSE Regione Toscana

2017 Programma Culturale Sportivo per giovani calciatori: Opera Network - Xilingol Vocational College, Mongolia Interna (Cina)

2018 Music Pro: Opera Network, Ensemble San Felice, Fondazione Festival Pucciniano - FSE Regione Toscana[127][128]

2018 Sound & Light: Opera Network, Ensemble San Felice, Fondazione Festival Pucciniano - FSE Regione Toscana[129][130]

2019 DIPAS - Direttore di Palcoscenico e Allestimento dello Spettacolo: Opera Network, Ensemble San Felice, CSM&A - Centro Studi Musica & Arte – FSE Regione Toscana[131]

2021 MOSAICO, Digital Job and Green Job sectors

2021 MI.FORM.O Ensemble San Felice Academy of Arts Szczecin and the European Academy of Florence, funded by the Erasmus + Programme

2021 VIRTUAL STAGE Ensemble San Felice, Erasmus + partners including Silesian Theatre Opava CZ, ESME Sudria Lyon, Tisseurs de Sons Lyon, Heliosfero Amsterdam[132]

2022 LSO – Lets Sing Opera Creative Europe and Erasmus + Ensemble San Felice, Sofia Opera & Ballet, Silesian Theatre of Opava, and Experience[133] Erasmus + AEF-Accademia Europea di Firenze, Ensemble San Felice, and Prokopios Arts Festival

2022 IFTS DMS - Digital Media Specialist project with Opera Network, Ensemble San Felice, and CSM&A - Centro Studi Musica & Arte, funded by the European Social Fund (FSE) of the Tuscany Region

2022 Metamorphoses - Digital Aesthetic for the Next Music Training project, in collaboration with Ensemble San Felice, ESME Sudria, GRAME Lyon, Giunti Florence, Hellenic Opera Corporation, Fundacja Akademia Muzyki Dawnej Szczecin, Promusica Malaga[134]

2023 CAPHE-Communities and Artistic Participation in Hybrid Environment Horizon Europe Program Action Marie Curie project with Opera Network, Conservatorio Puccini La Spezia, Jagiellonian University in Krakow, Kenyatta University in Nairobi, Polish Institute of Aesthetics, University of Athens. The project is transdisciplinary and focuses on the hybridity between physical and virtual reality, between digital and aesthetics, and its impact on communities.

Discography

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DVD

[edit]

References

[edit]
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  32. ^ "Claudio Monteverdi Il ritorno d'Ulisse in patria, 2022 on ensemblesanfelice.com" (PDF).
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  129. ^ "SOUND & LIGHT" (PDF).
  130. ^ "Don Giovanni redazionale 2020" (PDF).
  131. ^ "VOLANTINO IFTS DIPAS 2" (PDF).
  132. ^ "Virtual Stage".
  133. ^ "Let's sing".
  134. ^ "METAMORPHOSES".
  135. ^ "Monteverdi : Vespro della beata Vergine. Bardazzi".
  136. ^ "El cant de la Sibilla". Archived from the original on 2020-10-19.
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  138. ^ "Monteverdi & Gabrieli". Archived from the original on 2020-10-17.
  139. ^ "Claudio Monteverdi L'ORFEO, Federico Bardazzi on YouTube". YouTube.
  140. ^ "ODYSSEUS Il ritorno d'Ulisse in patria Claudio Monteverdi". YouTube.
  141. ^ "VANITAS VANITATUM Oratori Sacri Carissimi parte1". YouTube. 22 March 2010.
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  143. ^ "Henry Purcell The Fairy Queen 1, Federico Bardazzi on YouTube". YouTube. 31 December 2013.
  144. ^ "ENSEMBLE SAN FELICE - Antonio Vivaldi - Le Quattro Stagioni - L'Estate on YouTube". YouTube. 2 August 2014.
  145. ^ "OPERA NETWORK - FLAMINIO - Aria di Giustina "D'amor l'arcano ascoso". YouTube. 10 July 2015.
  146. ^ "FEDERICO BARDAZZI W.A.Mozart "Requiem KV 626", Introitus: Requiem aeternam". YouTube. 7 July 2015.
  147. ^ "La Musica della Commedia on YouTube". YouTube.
  148. ^ "Gioachino Rossini - Petite Messe solennelle on YouTube". YouTube. 14 October 2017.
  149. ^ "Claudio Monteverdi L'incoronazione di Poppea, Federico Bardazzi Ensemble San Felice on YouTube". YouTube.
  150. ^ "Georg Friedrich Händel MESSIAH, Federico Bardazzi on YouTube". YouTube.
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