John Russell Pope

John Russell Pope
Pope in 1911
Born	(1874-04-24)April 24, 1874 New York City, U.S.
Died	August 27, 1937(1937-08-27) (aged 63) New York City, U.S.
Nationality	American
Alma mater	Columbia University École des Beaux-Arts
Occupation	Architect
Spouse	Sadie Jones
Children	Mary and Jane Pope
Parent(s)	John Pope, Mary Avery Loomis Pope

Medal record
Art competitions
Representing the United States
Olympic Games
	1932 Los Angeles	Architectural design

The Jefferson Memorial, a memorial to Thomas Jefferson built between 1939 and 1943

John Russell Pope (April 24, 1874 – August 27, 1937) was an American architect whose firm is widely known for designing major public buildings, including the National Archives and Records Administration building (completed in 1935), the Jefferson Memorial (completed in 1943) and the West Building of the National Gallery of Art (completed in 1941), all in Washington, D.C.

Early life and education

Pope was born in New York City, on April 24, 1874, the son of a successful portrait painter and his wife. He studied architecture at Columbia University, where he graduated in 1894. He was the first recipient of the Rome Prize to attend the newly founded American Academy in Rome, a training ground for the designers of the American Renaissance. He would remain involved with the academy until his death.

Pope traveled for two years through Italy and Greece, where he studied, sketched and made measured drawings of more Romanesque, Gothic, and Renaissance structures than he did of the remains of ancient buildings. Pope was one of the first architectural students to master the use of the large-format camera, with glass negatives. Pope attended the École des Beaux-Arts in Paris in 1896, honing his Beaux-Arts style.

Career

Pope's overall plan for the building of the Yale University campus in 1919

The West Building of the National Gallery of Art

The National Archives in Washington D.C., James Earle Fraser, sculptor; opened 1935

In 1900, after returning to New York City, Pope worked for a few years in the office of Bruce Price before opening his own practice.

Pope designed private houses, such as The Waves, his personal residence in Newport, Rhode Island, and public buildings in addition to the Jefferson Memorial, the National Gallery of Art, the Masonic House of the Temple, all in Washington, D.C., and the triumphal arch Theodore Roosevelt Memorial (1936) at the American Museum of Natural History in New York City.

He designed the extension of the Henry Clay Frick mansion in New York City that created the Garden Court and music room, among other features, as the house was expanded to be operated as a museum.

In 1912, he submitted several proposals for the Lincoln Memorial, but lost out to Henry Bacon.

In 1919, he developed a master plan for the future growth of Yale University. Pope's plan for Yale was significantly revised by James Gamble Rogers in 1921, who had more sympathy for the requirements of the city of New Haven, Connecticut. Rogers did keep the Collegiate Gothic unifying theme offered by Pope. Pope's original plan is a prime document in the City Beautiful movement in city planning.

His firm's designs alternated between revivals of Gothic, Georgian, eighteenth-century French, and classical styles. Pope designed the Henry E. Huntington mausoleum on the grounds of The Huntington Library in southern California. He later used the design as a prototype for the Jefferson Memorial in Washington, D.C. The Jefferson Memorial and the National Gallery of Art were both neoclassical, modeled by Pope on the Roman Pantheon.

Lesser known projects by Pope's firm include Union Station, Richmond, Virginia (1917), with a central rotunda capped with a low saucer dome; it now houses the Science Museum of Virginia, the Branch House (1917–1919), a Tudor-style mansion in Richmond, now housing The Branch Museum of Architecture and Design; the Baltimore Museum of Art; and in Washington, D.C., the National City Christian Church, DAR Constitution Hall, American Pharmacists Association Building, Ward Homestead, and the National Archives Building (illustration, left).

In 1917, he designed the City Hall in Plattsburgh, New York, which was completed in 1917, and the city's Macdonough Monument, erected in 1926 to commemorate the naval victory of Commodore Macdonough in the Battle of Plattsburgh on September 11, 1814.

Pope designed additions to the Tate Gallery and British Museum in London, an unusual honor for an American architect, and the War Memorial at Montfaucon-d'Argonne, France. Pope also designed extensive alterations to Belcourt, the Newport residence of Oliver and Alva Belmont. The Georgian Revival residence he built in 1919 for Thomas H. Frothingham in Far Hills, New Jersey has been adapted as the United States Golf Association Museum.

Pope was a member of the United States Commission of Fine Arts in Washington, D.C. from 1912 to 1922, serving as vice chairman from 1921 to 1922. He also served on the Board of Architectural Consultants for the Federal Triangle complex in Washington, D.C. During the 1920s, the firm designed a number of well known country estates including Spring Hill Farms, later renamed Cobble Court.

In Milwaukee, Wisconsin, he designed a severe neo-Georgian clubhouse for the University Club (1926). In Oneonta, New York, he designed the first building for Hartwick College, Bresee Hall, which was constructed in 1928.

In 1932, he constructed the chapter house for Alpha Delta Phi at Cornell University in Ithaca, New York.

Pope won a Silver Medal in the 1932 Summer Olympics for his design of the Payne Whitney Gymnasium.

Legacy

A 1991 exhibition at the National Gallery of Art, John Russell Pope and the Building of the National Gallery of Art, spurred reappraisal of his work. For some time, it had been scorned and derided as overly historicist by many critics influenced by International Modernism.

Pope also served as an early mentor and employer of American modernist Lester C. Tichy.

Pope was the maternal grandfather of the actress Andra Akers.

Gallery

• 
  1908: McCormick House (Washington, D.C.) (now a Brazilian Embassy residence)
• 
  1909–1911: Memorial Building Abraham Lincoln Birthplace National Historical Park
• 
  1911–1915 House of the Temple, Washington, D.C.
• 
  1911–1915: Charlcote House, Baltimore, Maryland
• 
  1912: Morton House (renovation of Brodhead-Bell-Morton Mansion), now Embassy of Hungary in Washington, D.C.
• 
  1916–1919: Branch House, Richmond, Virginia
• 
  1919: Union Station (now the Virginia Science Museum), Richmond, Virginia
• 
  1919: Frothingham Home, now United States Golf Association Museum, Far Hills, New Jersey
• 
  1920: F.W. Woolworth Mausoleum, Woodlawn Cemetery, The Bronx, New York
• 
  1922: Dartmouth College Master Plan
• 
  1923: Meridian House, Washington, D.C.
• 
  1927–28: Woodend, Chevy Chase, Maryland
• 
  1927–1929: Baltimore Museum of Art, Baltimore, Maryland
• 
  1927±: Skylands Manor, Ringwood, New Jersey (New Jersey Botanical Garden)
• 
  1928: Hendricks Chapel, Syracuse University, Syracuse, New York
• 
  1928: Breese Hall, Hartwick College, Oneonta, New York
• 
  1929: Constitution Hall, Washington, D.C.
• 
  1930: National City Christian Church, Washington, D.C.
• 
  1931: Chapter House, Alpha Delta Phi, Cornell University
• 
  1933 American Institute of Pharmacy Building, Washington, D.C.
• 
  1929–1935: NY State Theodore Roosevelt Memorial (Arch, Entrance, & Hall), American Museum of Natural History, New York City
• 
  1932–1936: Payne Whitney Gymnasium, Yale University, New Haven
• 
  1935: Garden Court, Frick Collection, New York City
• 
  1935–1937:War Memorial at Montfaucon-d'Argonne, France
• 
  1931–1938 Duveen Gallery (Elgin Gallery), British Museum, London
• 
  1937 Duveen Gallery (North Gallery) Tate Britain, London, UK

Selected works

• 1910: William B. Leeds Mausoleum, Woodlawn Cemetery, The Bronx, New York
• 1926: University Club, Milwaukee, Wisconsin
• 1927: Huntington Mausoleum, San Marino, California
• 1927: "The Waves" (Pope's Newport residence), 61 Ledge Road, Newport, Rhode Island
• 1931: First Congregational Church, Columbus, Ohio
• 1933–1935: National Archives Building, Washington, D.C.
• 1936: Dixie Plantation House, Greenville, Florida
• 1938–1941: National Gallery of Art, Washington, D.C.
• 1939–1942: Jefferson Memorial, Washington, D.C.

See also

• Category:John Russell Pope buildings
• Eggers & Higgins

References

• The Games of the Xth Olympiad Los Angeles 1932 (PDF). Xth Olympiade Committee of the Games of Los Angeles, U.S.A. 1932. 1933. pp. 748–765. Archived from the original (PDF) on 2008-04-10.
• Wagner, Juergen. "Olympic Art Competition 1932". Olympic Games Museum. Archived from the original on 2008-05-01.
• Kramer, Bernhard (May 2004). "In Search of the Lost Champions of the Olympic Art Contests" (PDF). Journal of Olympic History. 12 (2): 29–34. Archived (PDF) from the original on 2008-04-10.
• Evans, Hilary; Gjerde, Arild; Heijmans, Jeroen; Mallon, Bill; et al. "John Russell Pope". Olympics at Sports-Reference.com. Sports Reference LLC. Archived from the original on 2016-03-06. Retrieved 2016-05-29.

Bibliography

• Bedford, Steven McLeod. John Russell Pope: Architect of Empire, New York: 1998.
• Garrison, James B. Mastering Tradition: The Residential Architecture of John Russell Pope. New York: Acanthus Press, 2004. ISBN 978-0-926494-24-4

External links

• University Club, Milwaukee
• Yale University plan, 1919 at the Library of Congress Web Archives (archived 2001-11-17)
• Alpha Delta Phi at Cornell, 1931, John Russell Pope, architect at the Wayback Machine (archived 2005-03-28)
• John Russell Pope's Master Plan for Dartmouth, 1919
• Pictures and Info on John Russell Pope's Historic Long Island Commissions
• "Blanchard Randall Papers,1914–1969" Baltimore Museum Of Art <https://artbma.org/documents/findingAids/BMA_Board-of-Trustees-Records.pdf Archived 2016-06-24 at the Wayback Machine>
• "Architect John Russell Pope's Baltimore" March 31 – August 1, 2004. The Baltimore Museum of Art.
• Smith, H. D. "Recent Domestic Architecture from the Designs of John Russell Pope." The Brickbuilder, Vol. XXV, No. 8, August 1916. pp. 189-204 and following plates.