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Mary Ann Smart

From Wikipedia, the free encyclopedia

Mary Ann Smart (29 March 1964 in Toronto) is a Canadian-born musicologist.

Smart earned a doctorate from Cornell University and is the Terrill Professor of Music at the University of California, Berkeley.[1] She specializes in the study of nineteenth century opera.[2]

Selected publications

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  • Smart, Mary Ann (2018). Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815-1848. University of California Press. ISBN 9780520276253.[3]
  • Allanbrook, Wye Jamison (2014). Smart, Mary Ann; Taruskin, Richard (eds.). The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. University of California Press. ISBN 9780520958876.[4]
  • Smart, Mary Ann (2004). Mimomania: Music and Gesture in Nineteenth-Century Opera. University of California Press. ISBN 9780520248311.[5]
  • Smart, Mary Ann (2000). Siren Songs: Representations of Gender and Sexuality in Opera. Princeton University Press. ISBN 9780691058139.[6]

References

[edit]
  1. ^ "Mary Ann Smart". Department of Italian Studies, University of California, Berkeley. Retrieved 1 February 2022.
  2. ^ "Mary Ann Smart". Department of Music, University of California, Berkeley. Retrieved 1 February 2022.
  3. ^ Reviews include:
    • Carini, Jaime (December 2020). "Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815–1848 by Mary Ann Smart (review)". Notes. 77 (2): 291–294. doi:10.1353/not.2020.0105. S2CID 227256882.
    • Grab, Alexander (December 2019). "Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815–1848 By Mary Ann Smart. Berkeley: University of California Press, 2018. Pp. xvi+236. $60.00". The Journal of Modern History. 91 (4): 953–955. doi:10.1086/705862. S2CID 210476899.
    • Rutherford, Susan (2020). "Waiting for Verdi: opera and political opinion in nineteenth-century Italy, 1815–1848 by Mary Ann Smart, Oakland, University of California Press, 2018, xiv + 236 pp., $60.00 (hard cover), ISBN: 9780520276253". Journal of Modern Italian Studies. 25 (3): 347–359. doi:10.1080/1354571X.2020.1754667. S2CID 221055663.
    • Madigan, Patrick (May 2020). "Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815-1848. By Smart, Mary Ann. Pp. xiv, 236, Oakland: University of California Press, 2018, $49.95". The Heythrop Journal. 61 (3): 566–567. doi:10.1111/heyj.13540. S2CID 219022457.
    • Maes, Francis (2019). "Mary Ann Smart, Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815–1848". European History Quarterly. 49 (3): 533–534. doi:10.1177/0265691419860743v. S2CID 199151672.
  4. ^ Chapin, Keith (February 2016). "The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. By Wye Jamison Allanbrook . Ed. by Mary Ann Smart and Richard Taruskin . pp. xv + 234 . University of California Press , Oakland , 2014 . £41.95. ISBN 978-0-520-27407-5 ". Music and Letters. 97 (1): 165–167. doi:10.1093/ml/gcv111. Republished at Project MUSE
  5. ^ Reviews include:
  6. ^ Suschitzky, Anya (December 2001). "Siren Songs: Representations of Gender and Sexuality in Opera (review)". Notes. 58 (2): 336–337. doi:10.1353/not.2001.0225. S2CID 194047305.