Me and You and Everyone We Know

Me and You and Everyone We Know
Theatrical release poster
Directed by	Miranda July
Written by	Miranda July
Produced by	Gina Kwon
Starring	Miranda July John Hawkes JoNell Kennedy Brandon Ratcliff Natasha Slayton Miles Thompson Najarra Townsend Carlie Westerman
Cinematography	Chuy Chavez
Edited by	Andrew Dickler Charles Ireland
Music by	Michael Andrews
Production company	FilmFour
Distributed by	IFC Films
Release dates	17 June 2005 (2005-06-17) (United States) 19 August 2005 (2005-08-19) (United Kingdom)
Running time	91 minutes
Country	United States
Language	English
Budget	$800,000
Box office	$8 million

Me and You and Everyone We Know is a 2005 American romantic comedy-drama film written and directed by Miranda July. She also acts in the starring role, opposite John Hawkes. The film was the first major studio production for July, who had been known previously for her self-produced short films and performance art.

Plot

The structure of the film consists of several subplots which all revolve around an intertwined cast of characters.

The film begins by introducing Richard (John Hawkes), a shoe salesman and recently separated father of two. After being thrown out by his wife Pam (JoNell Kennedy), he gets an apartment of his own to share with his children, Peter (Miles Thompson) and Robby (Brandon Ratcliff). He meets Christine (Miranda July), a senior-cab driver and amateur video artist, while she takes her client to shop for shoes, and the two develop a fledgling romantic relationship.

Robby, six years old, and his 14-year-old brother, Peter, have a joint online chat, which he later depicts in another chat session as "))<>((", an emoticon that means "pooping back and forth, forever." This piques the interest of the woman at the other end and she suggests a face-to-face meeting.

Meanwhile, Christine wants to hand a videotape of her work to the curator of a contemporary art museum, who impatiently tells her to submit it by mail; when she does, the curator watches and accepts it. The curator turns out to be the woman who was instant messaging with the brothers, and when she and Robby meet at a park, she realizes he's a child, kisses him and walks away.

Two of Richard's teenaged neighbors, Heather (Natasha Slayton) and Rebecca (Najarra Townsend), develop a playful relationship with a much older neighbor Andrew (Brad William Henke) who works in the shoe store with Richard. He does not say much, but he keeps leaving signs on his window about what he would do to each of them. As a result of this relationship, Heather and Rebecca ask Peter if they can practice oral sex on him, so that he can tell them which of the two does it better; so they do. He says both were exactly the same. The daughter of a neighbor peeks in the window, sees what is happening, and quickly leaves. Heather and Rebecca later come to the neighbor's house intending to have sex with him as practice, but he appears afraid when he sees them through his window and he pretends not to be home.

The plots come together in the end, with Peter developing a friendship with the daughter of a neighbor, having been introduced to the hope chest that she has, Christine and Richard displaying a show of mutual acceptance of their attraction to each other, and, at the end, Robby finding that the noise he had awoken to early every morning was that of an early-rising businessman tapping a quarter on a street sign pole. When Robby asks why he is doing it, he stops and turns around, says "just passing the time", and gives Robby the quarter. When his bus drives away and Robby tries it out himself, the sun heightens with each tap, time literally passing as he does it.

Cast

• Miranda July as Christine Jesperson
• John Hawkes as Richard Swersey
• Miles Thompson as Peter Swersey
• Brandon Ratcliff as Robby Swersey
• Natasha Slayton as Heather
• Najarra Townsend as Rebecca
• Carlie Westerman as Sylvie
• JoNell Kennedy as Pam
• Brad William Henke as Andrew
• Tracy Wright as Nancy Herrington
• Hector Elias as Michael
• Ellen Geer as Ellen
• Jordan Potter as Shamus
• Colette Kilroy and James Kayten as Sylvie's mom and dad

Production

The film was shot using a Sony HDW-F900 CineAlta high definition digital video camera.

The score, composed by Michael Andrews, was performed largely on a modified Casio SK-1 sampling keyboard.

On-line chat scenes were filmed with open-source Gaim software, now known as Pidgin.

Reception

The film received largely positive reviews; it currently holds an 82% rating on Rotten Tomatoes, with the consensus stating "Miranda July's debut feature is a charmingly offbeat and observant film about people looking for love." On Metacritic, Me and You holds a 76, indicating "Generally favorable reviews".

The film won the Caméra d'Or at the 2005 Cannes Film Festival.

Roger Ebert cited it as the fifth best film of the decade.

Music

The soundtrack was released on July 12, 2005 with the following tracks.

Me And You And Everyone We Know

No.	Title	Artist	Length
1.	"When I Call A Name"	Michael Andrews	3:51
2.	"Goldfish"	Michael Andrews	1:55
3.	"What's that Sound?"	Michael Andrews	1:58
4.	"Socks on Ears"	Michael Andrews	3:01
5.	"Signs"	Michael Andrews	2:40
6.	"5 On A Joyride"	Cody ChesnuTT	3:33
7.	"I'm Not Following You"	Michael Andrews	3:10
8.	"Library Chat"	Michael Andrews	2:50
9.	"Me and You Shoes"	Michael Andrews	1:17
10.	"Mirror"	Michael Andrews	3:39
11.	"Peter And Sylvie"	Michael Andrews	3:21
12.	"F***"	Michael Andrews	2:01
13.	"Any Way That You Want Me"	Spiritualized	6:27
14.	"Boy Moves The Sun"	Michael Andrews	3:38
15.	"A Summer Long Since Passed"	Virginia Astley	4:36
16.	"Heaven In Five"	Michael Andrews	2:44

External links

• Me and You and Everyone We Know at IMDb
• Me and You and Everyone We Know at AllMovie
• Me and You and Everyone We Know at Box Office Mojo
• Me and You and Everyone We Know at Rotten Tomatoes
• Me and You and Everyone We Know at Metacritic
• Me and You and Everyone We Know: Punk Cars Bodies Movies an essay by Sara Magenheimer at The Criterion Collection
• Me and You and Everyone We Know: Performance Rites an essay by Lauren Groff at The Criterion Collection