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Talk:T-Bone Walker

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Newfound style

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Cite: "By 1942, with his second album release, Walker's new-found musical maturity and ability had advanced to the point that Rolling Stone claimed that he "shocked everyone" with his newly developed distinctive song (...)." It implies that Rolling Stone assured it back then, 25 years before its first number. 189.194.76.14 (talk) 23:22, 20 August 2011 (UTC)nohamucho-at-hotmail.com[reply]

I removed it. Typical Rolling Stone invented bumpf. The track in question received very limited release in late 1945 and was finally widely released as a 10" in 1947 (after T-Bone had become a star)StonePeter (talk) 17:44, 19 May 2015 (UTC).[reply]

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Prior content in this article duplicated one or more previously published sources. The material was copied from: http://www.allmusic.com/artist/t-bone-walker-mn0000003829/biography. Copied or closely paraphrased material has been rewritten or removed and must not be restored, unless it is duly released under a compatible license. (For more information, please see "using copyrighted works from others" if you are not the copyright holder of this material, or "donating copyrighted materials" if you are.) For legal reasons, we cannot accept copyrighted text or images borrowed from other web sites or published material; such additions will be deleted. Contributors may use copyrighted publications as a source of information, but not as a source of sentences or phrases. Accordingly, the material may be rewritten, but only if it does not infringe on the copyright of the original or plagiarize from that source. Please see our guideline on non-free text for how to properly implement limited quotations of copyrighted text. Wikipedia takes copyright violations very seriously, and persistent violators will be blocked from editing. While we appreciate contributions, we must require all contributors to understand and comply with these policies. Thank you. Diannaa (talk) 21:04, 17 January 2014 (UTC)[reply]

Oldid 1034203050, 18th july 2021

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Throughout his career Walker worked with top-notch musicians, including the trumpeter Teddy Buckner (e.g. in Call It Stormy Monday (But Tuesday Is Just as Bad)[11][12][13]), the pianist Lloyd Glenn[14], the bassist Billy Hadnott (in the vinile album Hot Leftovers[15] and in Good-Bye Blues[16]), and the tenor saxophonist Jack McVea[17] (in the songs Don't leave me baby[18] and No Worry Blues[19])

— WP

It was one of the few sentences without any source. Now there are provided some vinile catalogues, YouTube videos or musical books that link T-Bone Walker with other authors with regards to some renowned songs. Regards, Theologian81sp