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User:Myshkin./sandbox/List of works by Korin

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Multiple-section byōbu folding screens

[edit]
Name Date Format Remarks Present location Image
Cranes, Pines and Bamboo[1] c. 1697–99[2] One six-section and one four-section byōbu folding screens, ink and light color on paper, 167.0 cm x 384.2 cm (65.7 in x 151.2 in) and 167.0 cm x 257.2 cm (65.7 in x 101.2 in), respectively. Metropolitan Museum of Art, New York City

Autumn Grasses[3] XVIII century One six-section byōbu folding screen, ink and color on paper with gold leaf background, 151.5 cm × 355.2 cm. Tokyo University of the Arts, Tokyo
Black Pines and Maple Tree[4] XVIII century One six-section byōbu folding screen, ink and color on paper with gold leaf background, 139.0 cm × 352.0 cm. Important Cultural Property Tokyo University of the Arts, Tokyo
Irises[5] c. 1705[6] One pair of six-section byōbu folding screens, ink and color on paper with gold leaf background, each 150.9 cm × 338.8 cm (59.4 in × 133.4 in). National Treasure Nezu Museum, Tokyo

The Poet Bo Juyi XVIII century One six-section byōbu folding screen, ink and color on paper, 154.0 cm × 362.0 cm. Nezu Museum, Tokyo
Wind God and Thunder God[7] XVIII century One pair of six-section byōbu folding screens, ink and color on paper with gold leaf background, each 421.6 cm × 464.8 cm (166 in × 183 in). Important Cultural Property Tokyo National Museum, Tokyo
Waves at Matsushima[8] XVIII century One six-section byōbu folding screen, ink and color on paper with gold leaf background, 150.2 cm × 367.8 cm (59.1 in × 144.8 in). Museum of Fine Art, Boston
Irises at Yatsuhashi c. 1710–16[9][10] One pair of six-section byōbu folding screens, ink and color on paper with gold leaf background, each 163.7 cm × 352.4 cm (64.4 in × 138.7 in). Metropolitan Museum of Art, New York City

Cranes[11] XVIII century One pair of six-section folding screens (byōbu), ink and color on paper with gold and silver leaf background, each 166.0 cm × 371.0 cm (65.4 in × 146.0 in). Freer Gallery of Art, Washington, D.C.

Red and White Plum Blossoms[12] c. 1712–16[13] One pair of two-section byōbu folding screens, ink and color on paper with gold leaf background, each 156.0 cm × 172.2 cm (61.4 in × 67.8 in). National Treasure MOA Museum of Art, Atami
Peacocks and Hollyhocks XVIII century One pair of two-section byōbu folding screens, ink and color on paper with gold leaf background, 146.0 cm × 173.0 cm. Important Cultural Property Private collecion
Summer Flowers XVIII century One pair of two-section byōbu folding screens, ink and color on paper with gold leaf background, 169.7 cm × 178.2 cm. Nezu Museum, Tokyo
Flowering Plants in Autumn[14] XVIII century One two-section byōbu folding screen, color on paper, 170.0 cm × 190.0 cm each. Attribution uncertain. Important Art Object Suntory Museum of Art, Tokyo

Two-section byōbu folding screens

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Name Date Format Remarks Present location Image
General Tai Gong Wang XVIII century One two-section byōbu folding screen, ink and color on paper with gold leaf background, 166.6 cm × 180.2 cm (65.6 in × 70.9 in). Important Cultural Property Kyoto National Museum, Kyoto
Ducks and Snow-Covered Pine Trees XVIII century One two-section byōbu folding screen, ink and color on paper with gold leaf background, 156.0 cm × 171.6 cm. Okada Museum of Art, Hakone
The Thirty-Six Immortal Poets[15] XVIII century One two-section byōbu folding screen, ink and color on paper with gold leaf background, 165.5 cm × 184.0 cm. Important Art Object Menard Art Museum, Aichi
Rough Waves[16] c. 1704–09[17] One two-section byōbu folding screen, ink and color on paper with gold leaf background, 150.5 cm × 168.9 cm (59.2 in × 66.5 in). Signature: Hokkyō Kōrin. Seals: Dōsū. Metropolitan Museum of Art, New York City
Bamboo and Plum Tree[18] XVIII century One two-section byōbu folding screen, ink and color on paper, 156.0 cm × 172.2 cm (65.2 in × 181.0 in). Important Cultural Property Tokyo National Museum, Tokyo

Hanging scrolls

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Name Date Format Remarks Present location Image
Portrait of Nakamura Kuranosuke[19] 1704 Colour on silk. With poetic inscriptions dated to 1704. Important Cultural Property Museum Yamato Bunkakan, Nara
The Tales of Genji, The Empress Akikonomu[20] XVIII century Hanging scroll, colour on silk, 98.8 in × 39.0 in. MOA Museum of Art, Atami
The Tales of Ise, Yatsuhashi[21] XVIII century Hanging scroll. Tokyo National Museum, Tokyo
The Immortal Qin Qao[22] XVIII century Hanging scroll, ink and light colour on paper, 122.2 in × 58.4 in. MOA Museum of Art, Atami
Cormorant Fishing XVIII century Seikadō Bunko Art Museum, Tokyo
Tiger and Bamboo[23] XVIII century Hanging scroll, ink on paper, 28.0 cm x 38.7 cm. Kyoto National Museum, Kyoto
瓜茄子図[24] XVIII century Hanging scroll. Tokyo National Museum, Tokyo
Hotei[25] after 1704[26] Hanging scroll, ink on paper. 28.5 cm x 36.9 cm (11.25 in x 14.5 in.). Signature: Jakumei Kōrin. Seal: Dōsū. Metropolitan Museum of Art, New York City
Daikokuten[27] XVIII century Hanging scroll, ink and light colour on paper, 93.2 in × 28.9 in. MOA Museum of Art, Atami
Hanshan and Shide[28] XVIII century Hanging scroll, ink and light colour on silk, 88.7 in × 30.6 in. MOA Museum of Art, Atami
拾得図[29] XVIII century Hanging scroll. Tokyo National Museum, Tokyo
Collecting Seaweed[30] XVIII century Hanging scroll, 98.4 cm x 32.7 cm. Attribution uncertain. Kyoto National Museum, Kyoto

Fan paintings

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Name Date Format Remarks Present location Image
Brackens XVIII century Fan painting mounted as hanging scroll, ink and color on gold-foiled paper, 24.6 cm × 24.4 cm Private collection
Maple Leaves and Stream XVIII century Fan painting mounted as hanging scroll, ink and color on gold-foiled paper, 24.4 cm × 24.3 cm Gotoh Museum, Tokyo
Beach with Pines XVIII century Fan painting mounted as hanging scroll, ink and color on gold-foiled paper, 23.3 cm × 23.0 cm Private collection
Plum Blossoms XVIII century Fan painting mounted as hanging scroll, ink and color on gold-foiled paper, 23.5 cm x 23.8 cm. Honolulu Museum of Art, Honolulu
Jurojin and Landscape[31] XVIII century Two fan paintings, ink on paper, 24.3 cm × 24.0 cm. MOA Museum of Art, Atami
Pines with Snow and Ivy XVIII century Two fan painting mounted as hanging scroll, ink and color on gold-foiled paper, 22.2 cm × 22.3 cm each. Private collection
Thistles and Asiatic Dayflowers XVIII century Two fan painting mounted as hanging scroll, ink and color on gold-foiled paper, 23.7 cm × 23.8 cm each. With Seiotsu Seal Umezawa Gallery

Album "on various subjects"

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Name Date Format Remarks Present location Image
1. White Blossoming Plum[32] c. 1701–04[33] Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
2. Azalea[34] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
3. Ferns[35] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
4. Lin Ho-ching and Crane[36] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
5. Lily and Dayflower[37] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
6. Ox-herder[38] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
7. Bellflower[39] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
8. Autumn flower[40] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
9. Chrysanthemum[41] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
10. Kingfisher[42] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
11. Tiger and Bamboo[43] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection
12. Courtiers[44] c. 1701–04 Leaf from an album, ink and color on paper, 12.5 in x 11.0 (31.8 cm x 28.0 cm). Manyo'an Collection

Designs

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Name Date Format Remarks Present location Image
Design of Flowers[45] XVIII century Polychrome woodblock print (leaf from an album), ink and color on paper, 10 in x 14.2 (25.4 cm x 36.0 cm). Metropolitan Museum of Art, New York City
Design of Morning–glory and Other Flowers[46] XVIII century Polychrome woodblock print (leaf from an album), ink and color on paper, 10 in x 14.4 (25.4 cm x 36.7 cm). Metropolitan Museum of Art, New York City

Other paintings

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Name Date Format Remarks Present location Image
Flowers of Spring and Autumn[47] c. 1701–16[48] One pair of panels, ink and color on cryptomeria wood, 137.2 cm x 19.9 cm (54.0 x 7.9 in.) each. Signature: Hokkyō Kōrin. Seals: Koresuke. Metropolitan Museum of Art, New York City

Boxes

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Name Date Format Remarks Present location Image
Writing Box with Yatsuhashi bridge design[49] early XVIII century Design in maki-e lacquer and mother-of-pearl inlay, 27.3 in x 19.7 in x 14.2 in. National Treasure Tokyo National Museum, Tokyo
Writing Box with Sumi bay design early XVIII century Design in maki-e lacquer, 25.8 in x 23.0 in x 10.0 in. Important Cultural Property Seikadō Bunko Art Museum, Tokyo
Writing Box with marsh flowers design early XVIII century Design in maki-e lacquer and mother-of-pearl inlay, 25.0 in x 22.0 in x 4.5 in. MOA Museum of Art, Atami
Writing Box with Sano-no-watari design early XVIII century Design in maki-e lacquer and mother-of-pearl inlay, 26.4 in x 16.2 in x 11.8 in. Gotoh Museum, Tokyo
Cosmetic box with fan-shaped paintings early XVIII century Wood, ink and color on paper, ink on paper, 27.3 in x 38.2 in x 18.8 in. Important Cultural Property Museum Yamato Bunkakan, Nara

Dishes

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Name Date Format Remarks Present location Image
Square dish, design of poet watching wild geese in underglaze iron[50] XVIII century Stoneware with underglaze iron, 2.9 cm × 22.1 cm × 22.1 cm. Collaboration with Ogata Kenzan. Important Cultural Property Tokyo National Museum, Tokyo
Square dish, design of courtier gazing at a waterfall[51] XVIII century Stoneware with underglaze iron and enamel decoration, 2.9 cm × 21.8 cm × 21.8 cm. Collaboration with Ogata Kenzan. Museum of Fine Art, Boston
Square dish, design of Hotei in underglaze iron XVIII century Stoneware with underglaze iron. Collaboration with Ogata Kenzan. Important Cultural Property Fujita Art Museum, Osaka
Square dish, design of crane in underglaze iron XVIII century Stoneware with underglaze iron. Collaboration with Ogata Kenzan. Important Cultural Property Fujita Art Museum, Osaka
Square dish, design of peonies in underglaze iron XVIII century Stoneware with underglaze iron. Collaboration with Ogata Kenzan. Miho Museum, Shigaraki

Medicine cases

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Name Date Format Remarks Present location Image
Three-case inrô with gourd-vine design[52] XVIII century Gold lacquer ground, decoration in gold and aokin hiramaki-e and takamaki-e and inlay of lead and malachite embellished with shell, interiors gold fundame, 6.6 cm × 4.9 cm × 1.9 cm. Collaboration with Ogata Kenzan. Museum of Fine Art, Boston

Clothing

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Name Date Format Remarks Present location Image
Kosode, autumn grasses design on white twill[53] XVIII century, Edo period Color on white silk. Important Cultural Property Tokyo National Museum, Tokyo
Kosode, autumn grasses design on white nume satin[54] XVIII century, Edo period Color on white silk, 157.0 × 61.0. Attribution to Kōrin uncertain. MOA Museum of Art, Atami

Lists of works

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List of works (350th anniversy list)

  • Illustrated Scrolls of the Life of Priest Saigyo, Scroll 4 | Museum of Imperial Collections, Sannomaru Shozokan
  • Irises | Osaka Municipal Museum of Art
  • Black Pine Tree | Tokyo National Museum
  • Flowers and Grasses of the Four Seasons
  • Peonies
  • Group of Guardsmen | Tokyo National Museum
  • Incense Wrapper with Ivy Design
  • Li Bo Gazing at the Waterfall (Important Art Object)
  • Hotei Kicking a Ball | Idemitsu Museum of Arts, Tokyo (101.9 x 28.9 cm.)
  • Portrait of the Poet Sogi | Idemitsu Museum of Arts, Tokyo (82.3 x 27.0 cm.)
  • Hirobuta Tray with Flowing Water Design | Museum Yamato Bunkakan, Nara
  • Square Hiire Charcoal Holder, Landscape and pagoda design in underglaze iron | Museum Yamato Bunkakan, Nara [+ Ogata Kenzan]

Attributed:

  • Red and White Plum Trees [attributed to Korin] Idemitsu Museum of Arts, Tokyo (pair of six-fold screens each 151.0 x 346.0)

List of works (others)

  • Plum Tree, 37.0 x 95.8, Nezu Museum
  • The Biography of Priest Saigyo, 4 handscrolls, 33.3 x 1,654.6 - 2,277.3
  • Stream (attributed to Ogata Korin), two-fold screen, 153.3 x 171.6

List of works (Nezu exhibition)

  • 38. White Plum Blossoms
  • 39. Ivy
  • 40. Campion
  • 41. Tray with Flowing Water Design
  • 42. Tray with Flowing Water Design
  • 50. Plum Blossoms (sword rack)
  • 51. Square dish with plum blossoms design | Nezu Museum [+ Kenzan]
  • 52. Square dish with chrysanthemun design | Yamato Bunkakan Museum [+ Kenzan]
  • 53. Charcoal Holder with Ivy design | Private collection [+ Kenzan]
  • 55. Bellflowers and Pampas Grass (folding fan)

List of works (MET)

Konishi Family Documents

Completed:

[55]

Notes

[edit]
  1. ^ "Cranes, Pines, and Bamboo". Metropolitan Museum of Art. Retrieved 2017-09-21.
  2. ^ Carpenter, John T. (2012). Designing Nature: The Rinpa Aesthetic in Japanese Art. p. 203.
  3. ^ "秋草図屏風". The University Art Museum - Tokyo University of the Arts. Retrieved 2017-09-21.
  4. ^ "Black Pine and Maple Tree". The University Art Museum - Tokyo University of the Arts. Retrieved 2017-09-18.
  5. ^ "Irises". Nezu Museum. Retrieved 2017-09-18.
  6. ^ "Irises". Columbia University. Retrieved 2017-09-16.
  7. ^ "Wind God and Thunder God". Tokyo National Museum. Retrieved 2017-09-18.
  8. ^ "Waves at Matsushima". Museum of Fine Art Boston. Retrieved 2017-09-18.
  9. ^ "Irises at Yatsuhashi (Eight Bridges)". Metropolitan Museum of Art. Retrieved 2017-09-20.
  10. ^ "National Treasure Irises of the Nezu Museum and Eight-Bridge of the Metropolitan Museum of Art". Nezu Museum. Retrieved 2017-09-20.
  11. ^ "Cranes". Freer Gallery of Art. Retrieved 2017-09-21.
  12. ^ "Red and White Plum Blossoms". MOA Museum of Art. Retrieved 2017-09-18.
  13. ^ "Korin's Residence (reconstructed)". MOA Museum of Art. Retrieved 2017-09-20.
  14. ^ ""Flowering Plants in Autumn"". Suntory Museum of Art. Retrieved 2017-09-21.
  15. ^ "Thirty-Six Immortal Poets". Menard Art Museum. Retrieved 2017-09-18.
  16. ^ "Rough Waves". Metropolitan Museum of Art. Retrieved 2017-09-18.
  17. ^ "Rough Waves". Metropolitan Museum of Art. Retrieved 2017-09-18.
  18. ^ "Bamboo and plum tree". Tokyo National Museum. Retrieved 2017-09-18.
  19. ^ "絹本著色中村内蔵助像". Cultural Heritage Online. Retrieved 2017-09-18.
  20. ^ "The Empress Akikonomu". MOA Museum of Art. Retrieved 2017-09-18.
  21. ^ "伊勢物語図". Tokyo National Museum. Retrieved 2017-09-20.
  22. ^ "The Empress Akikonomu". MOA Museum of Art. Retrieved 2017-09-19.
  23. ^ "Tiger and Bamboo". Kyoto National Museum. Retrieved 2017-09-19.
  24. ^ "瓜茄子図". Tokyo National Museum. Retrieved 2017-09-20.
  25. ^ "Hotei (布袋)". The Mary Griggs Burke Collection. Retrieved 2017-09-19.
  26. ^ Carpenter, John T. (2012). Designing Nature: The Rinpa Aesthetic in Japanese Art. p. 202.
  27. ^ "Daikokuten (God of Wealth)". MOA Museum of Art. Retrieved 2017-09-19.
  28. ^ "Hanshan and Shide". MOA Museum of Art. Retrieved 2017-09-19.
  29. ^ "拾得図". Tokyo National Museum. Retrieved 2017-09-20.
  30. ^ "Collecting Seaweed". Kyoto National Museum. Retrieved 2017-09-19.
  31. ^ "Landscape and Jurojin (God of Longevity)". MOA Museum of Art. Retrieved 2017-09-18.
  32. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  33. ^ "33. Ogata Korin (1658-1716)". kaikodo. Retrieved 2017-09-21.
  34. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  35. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  36. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  37. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  38. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  39. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  40. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  41. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  42. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  43. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  44. ^ "Pair of Albums". Manyo'an Collection. Retrieved 2017-09-21.
  45. ^ "Design of Flowers". Metropolitan Museum of Art. Retrieved 2017-09-21.
  46. ^ "Design of Morning–glory and Other Flowers". Metropolitan Museum of Art. Retrieved 2017-09-21.
  47. ^ "Flowers of Spring; Flowers of Autumn". The Mary Griggs Burke Collection. Retrieved 2017-09-19.
  48. ^ signed Hokkyō Kōrin
  49. ^ "Writing box. Design of Yatsu-hashi bridge". Tokyo National Museum. Retrieved 2017-09-19.
  50. ^ "Square dish. Design of poet watching wild geese in underglaze iron brown". Tokyo National Museum. Retrieved 2017-09-22.
  51. ^ "Square Dish with Courtier Gazing at a Waterfall Design". Museum of Fine Art Boston. Retrieved 2017-09-22.
  52. ^ "Three-case inrô with gourd-vine design". Museum of Fine Art Boston. Retrieved 2017-09-22.
  53. ^ "Kosode (kimono with small wrist openings), autumn flower-plants pattern on twill weave fabric". emuseum. Retrieved 2017-09-18.
  54. ^ "Kosode Dress with Design of Autumn Grasses". MOA Museum of Art. Retrieved 2017-09-18.
  55. ^ Carpenter, John T. (2012). Designing Nature: The Rinpa Aesthetic in Japanese Art. p. 202.
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