User:Shaad lko
Appearance
From Wikipedia, the free encyclopedia that anybody can edit, including idiots.
|
This is a Wikipedia user page. This is not an encyclopedia article or the talk page for an encyclopedia article. If you find this page on any site other than Wikipedia, you are viewing a mirror site. Be aware that the page may be outdated and that the user whom this page is about may have no personal affiliation with any site other than Wikipedia. The original page is located at https://en.wikipedia.org/wiki/User:Shaad_lko. |
Contents |
---|
Tip of the Day
[edit]Tip of the day...
Mediation
When there is a dispute over content for which there seems to be no end in sight, it may be time for mediation. But mediation should be a last resort. So, if after you have tried getting a Third opinion or making a Request for comment, and the problem is still deadlocked, it may be time to check in with Dispute resolution requests. The Dispute resolution guide offers general advice. – – Read more: To add this auto-updating template to your user page, use
{{tip of the day}} |
Committed identity: 0ff06d9e9d10cd1ba25a0e4ea25f05676e7702345f5e1252d1304370ff5ae9f8f60d9ba8b73edc331a6b46b2d4193d8e0c22da65679dc937343d4ca2b9f5b3ba is an SHA-512 commitment to this user's real-life identity.
Percy Grainger (1882–1961) was an Australian-born composer, arranger and pianist who played a prominent role in the revival of interest in British folk music in the early 20th century. Grainger left Australia in 1895 to study at the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer and collector of original folk melodies. He met many of the significant figures in European music, forming friendships with Frederick Delius and Edvard Grieg, and became a champion of Nordic music and culture. In 1914, Grainger moved to the United States, where he took citizenship in 1918. He experimented with music machines that he hoped would supersede human interpretation. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens". This glass negative of Grainger was taken at some point around 1915–1920.Photograph credit: Bain News Service; restored by Adam Cuerden and MyCatIsAChonk