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M 120, sister ship to the Galeb class
M 120, sister ship to the Galeb class

The six Galeb-class minelayers were originally built as minesweepers for the Imperial German Navy. In July 1921, they were purchased for the Royal Navy of the newly created Kingdom of the Serbs, Croats and Slovenes (from 1929, the Kingdom of Yugoslavia). Re-armed, they were mainly used for training and "show the flag" cruises. Reclassified as minelayers by 1936, they laid mines off the Yugoslav coast just before the April 1941 Axis invasion of Yugoslavia, which probably resulted in the sinking of two Yugoslav merchant ships. All six were captured and put into Italian service escorting convoys in the Mediterranean Sea. All but one were lost or sunk during the war. The last escaped into Allied hands in September 1943 and was returned to the Yugoslav navy-in-exile at Malta in December. It was transferred to the new Yugoslav Navy after the war and helped clear thousands of mines laid in Yugoslav waters, being finally disposed of in 1962. (This article is part of a featured topic: Ships of the Royal Yugoslav Navy.)

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Mohamed Bazoum in February 2023
Mohamed Bazoum

On this day

July 29

Battle of Kleidion, depicted in the Madrid Skylitzes
Battle of Kleidion, depicted in the Madrid Skylitzes
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Officer and Laughing Girl

Officer and Laughing Girl is an oil-on-canvas painting by the Dutch artist Johannes Vermeer, produced around 1657. Created during the Dutch Golden Age, the painting has dimensions of 50.5 by 46.0 centimetres (19.9 in × 18.1 in). The main subject is a woman in a yellow dress, light is coming from the left-hand side of the painting from an open window, and there is a large map on the wall. Each of these elements occur in some of his other paintings, although this painting differs slightly with the man also sitting at the table. Art historians, who have suggested conflicting interpretations of the work, believe that a painting by Gerard van Honthorst inspired the composition and that Vermeer used a camera obscura to create the perspective. The work is now part of the Frick Collection in New York.

Painting credit: Johannes Vermeer

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